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Showing posts with label Boris Karloff. Show all posts
Showing posts with label Boris Karloff. Show all posts

Thursday, July 09, 2026

A Minor Thrill from Thriller

 

From 1960 to 1962, Boris Karloff hosted Thriller, an anthology of suspense and horror stories. Midway through the first season, early in 1961, "The Hungry Glass" aired. It's a story about a young couple who buy an old mansion in Cape Caution, New England. As if that name weren't enough, the locals consider the mansion haunted, perturbed by the previous owners who removed all mirrors from the house. 

The new owners are played by William Shatner and Joanna Heyes; they're escorted to the mansion by their realtor and his wife--Russell Johnson and Elizabeth Allen. 

Before watching this episode, I had no idea that two actors so foundational to my tastes in popular culture had ever appeared in anything together. As Captain James T. Kirk and Professor Roy Hinkley, these two men left a strong impression on my young mind. Kirk was strong, compassionate, intelligent, decisive; the Professor was brilliant, inventive, curious, and somewhat gawky--a quality that I felt I shared. 

In "The Hungry Glass," the two characters played by Shatner and Hinkley start off friendly, then adversarial as the house starts to make Shatner paranoid. Haunted by his trauma from the Korean War, Shatner begins to see things--unexplainable double exposures in his photographs, faces in the glass. Hinkley manages to talk some sense into him--until Shatner's wife screams from upstairs. Shatner charges up and sees her being dragged into a mirror by ghosts. He grabs a poker and smashes the mirror, intending to chase after her--only to be stopped by Johnson, who reveals that Shatner, in his delerium, has actually killed his wife with the poker. 

Minutes later, as Johnson and his wife attempt to console Shatner, his wife's ghost appears in the upstairs window and beckons him forth; Shatner leaps through the window, to his death, to be with her. Johnson's wife faints, and he sees the ghosts of the doomed lovers; he carries his wife to safety. 

It's a grim, heartbreaking story, one that sees the violent dissolution of one marriage, two potentially close friendships (the two wives were becoming closer), and trauma for the survivors. Johnson and Shatner play off against each other really well. I wonder if anyone ever asked either of them what it was like to work together. I'd love to know. 

Friday, May 14, 2021

Ode to Boris

He was The Man They Could Not Hang
The Man Who Lived Again
Doomed to Die
The Man with Nine Lives
The Phantom of the North
The Body Snatcher"
The Mad Genius
The Mummy
The Terror
The Ghoul
British Intelligence
The Invisible Menace
The Public Defender
King of the Wild, King of the Kongo
Dynamite Dan, The Incredible Doktor Markesan

At The Old Dark House on Black Sabbath he chose his Targets
A Hatchet for the Honeymoon, as The Devil Commands
He held The Night Key to The Strange Door to The Black Room
Saw the Ghost in the Invisible Bikini
Counted down The Fatal Hour, held The Yellow Ticket
Ruled The Fear Chamber on Devil's Island
Lured the Son of Frankenstein--Die, Monster, Die! 

He was all this, he did all this and more--but furthermore--

He was--Karloff!



Tuesday, November 03, 2015

Earl's Halloween Horrorthon

I booked a "me weekend" for myself this Halloween and spent it screening a slate of randomly-chosen horror films from my library. Utterly neglecting my poor wife, I pretty much did nothing but watch old movies all day and night Saturday and Sunday. Here's the tally:

Night of the Demon (1957)
Curse of the Demon (1957)
White Zombie (1932)
Night of the Ghouls (1958)
Tales from the Crypt (1972)
Abbott and Costello Meet Frankenstein (1948)
Dr. Jekyll and Mr. Hyde (1932)
Dr. Jekyll and Mr. Hyde (1941)
The Walking Dead (1936)
Frankenstein 1970 (1958)

I also listened to the audio commentaries on Abbott and Costello Meet Frankenstein, the 1932 version of Dr. Jekyll and Mr. Hyde, and Frankenstein 1970.

Night of the Demon (released in the USA in a cut-down version as Curse of the Demon), White Zombie and the 1932 Dr. Jekyll and Mr. Hyde were my runaway favourites, each very atmospheric and chilling in its own way. Night of the Demon in particular offers genuine creepy thrills, with its cheaply-made yet still somehow monstrous fire demon; where the special effects falter, the screenplay, performances and cinematography pick up the slack ably.

Night of the Ghouls is objectively the worst of the bunch; it is, of course, an Ed Wood film, part of the loose Plan 9 From Outer Space - Bride of the Monster - Night of the Ghouls trilogy. Indeed, I didn't even realize these films were connected until one character, a police officer, made reference to the other films; I checked, and sure enough the character is a consistent recurring presence. I'm delighted that Ed Wood was building his own epic chronology of SF/mad science films!

The Walking Dead is a great Boris Karloff film. He's a monster again, but this time he's a good monster, an avenging angel brought back to life to wreak havoc on the criminals who framed him and sent him to the electric chair. It's half Warner Brothers gangster film, half Universal horror movie, a bizarre combination of genres that nonetheless works.

Another Karloff picture, Frankenstein 1970, doesn't work as well, with the exception of a really wonderful "gotcha" opening sequence. Had the rest of the film lived up to the first five minutes, this would have been a classic; as is, it's a pleasant if hokey time-waster.