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Showing posts with label Clint Eastwood. Show all posts
Showing posts with label Clint Eastwood. Show all posts

Friday, May 19, 2023

Dirty Harry as an Action Figure with Ten Points of Articulation















I find it interesting how Stable Diffusion not only captures Clint Eastwood's likeness as it might be rendered in plastic, but also its choice of setting and costume. Pretty amazing, really. And the poses! 
 

Friday, January 24, 2020

The 15:17 to Paris

Maybe this movie would have been better if it were 15 minutes and 17 seconds long. Clint Eastwood has created some legitimate masterpieces, but this film about an incident on a train turned out to be a trainwreck. The dialogue is weirdly stilted, the characters mawkish, the action scene completely pedestrian...he's done so much better than this. Maybe there just wasn't enough interesting material in the real-life story to make into a compelling film, which seems odd given the event itself was so dramatic. So again - perhaps better as a short? 

Wednesday, September 13, 2017

Earl's Directors

According to Letterboxd, this is my list of most-watched directors. Having watched all but one of Charlie Chaplin's many films, it's no surprise that he's at the top. But who is William K.L. Dickson, you ask? He's one of the pioneers of film, and as I've been watching a bunch of films from the early days of the medium, folks like Dickson, Georges Melies, Louis Lumiere and William Heise wind up on my list. Of course, a bunch of their films are only a few minutes, or even just a few seconds, long.


Tuesday, September 12, 2017

The Stars in My Eyes

Letterboxd Pro tracks the films I watch, and from that database it's generated a list of my most-watched actors. I'm dismayed that there are only two women and one actor of colour on the list, but I'm unsurprised by the rest of the tally, save perhaps for the inclusion of Dick Miller, who as it turns out was in a bunch of 80s genre films I've seen. (In fact, I've actually seen 25 of his films - reviewing his list of credits reveals that I forgot to log InnerSpace, which I saw in theatres way back in 1987. It's these haphazard connections that have helped me make my Letterboxd inventory more accurate as time goes by.)

I didn't recognize Bess Flowers when Letterboxd first generated this list. As it turns out, she's one of Hollywood's most prolific actresses, appearing in over 700 films, including 23 Best Picture nominees, five of which won the award. Bess probably appears on a lot of Most Watched Stars list for this reason - if you're a film fan, it seems you can hardly avoid her. 

Saturday, October 22, 2011

The Power of "What If..?"

As a child of the 1970s in Leaf Rapids, Manitoba, I loved making trips to the Town Centre's drug store, where a spinner rack of comic books awaited. My weekly allowance of one dollar allowed me to purchase three comics, which at the time typically cost 35 cents each - Mom or Dad always threw in the extra nickel. 

 One day, probably during the late winter or possibly the Star Wars Spring of 1977, I bought an issue of All-Star Comics - number 66, to be precise, cover-dated June 1977. This issue cost 30 cents, not 35, so perhaps my memories are from slightly further into the future, after a price increase, or maybe All-Star was simply a little cheaper. Whatever the price, my eight-year-old eyes devoured the images and the story. And there's one panel in particular that stands out to this day:
By the age of 8 I'd already been exposed to the concept of parallel universes many times over, but this panel was the first time I stumbled over the idea that not only could there be worlds where Superman was older and Green Lantern wore a different costume than on "our" world, but the politics of such alternate Earths could be entirely different. I was floored by the idea that the South Africa of Earth-2 had moved past apartheid. And then I was profoundly depressed, because I was, after all, reading a comic book; it was only imaginary.

But less than two decades later, the courage and dedication of real people on our own Earth put an end to apartheid and began the work of reconciliation between the diverse peoples of a divided country.

I was reminded of this comic because, stuck on the couch with a head cold, I've been resting and watching movies. Today I watched Invictus, Clint Eastwood's 2009 film about Nelson Mandela and the 1995 Rugby World Cup. Anyone who knows me know that I'm not a sports fan, generally speaking. I am, however, a fan of Clint Eastwood's filmography; whatever the subject, he rarely disappoints. Invictus takes its name from the nineteenth-century poem by William Ernest Henley, which apparently inspired Mandela during his decades-long incarceration:
Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.
Henley's poem helped drive one of the era's most important political figures to lead a nation from segregation to reconciliation. While there's no doubt that South Africa is still beset by many problems, that nation's story remains hopeful, thanks in great part to Mandela and the millions of citizens - including the Springboks, the national (and almost all white) rugby team - who worked together, and continue to work together, to build a better country.

Aside from the connection to South Africa, what does a classic poem have to do with a one-off reference in a mostly-forgotten comic book?

It's this: hope is important. To dream of a better world, no matter the medium, is to instill in our minds the notion that the world may be imperfect, but it needn't stay this way. Just as Henley's poem inspired Mandela, I have no doubt that that panel from All-Star #66, or some other pop-culture reference with the same message, inspired others to work for a better world. Maybe that's too much import to impart upon a thirty-cent comic book, but I appreciate its message of hope nonetheless.