Total Pageviews

Showing posts with label Graphic Design. Show all posts
Showing posts with label Graphic Design. Show all posts

Saturday, June 01, 2024

Gaming and Guinness XVIII Logo II


Here's the G&G logo I wound up using after some back-and-forth consultation with Jeff Pitts, my partner in organizing this year's swag. 

Friday, May 31, 2024

Friday, February 16, 2024

The O Squad Masthead

Many years ago, DC Comics published a very amusing short comic story called "Attack of the O Squad!" Starro, the first antagonist of the Justice League of America, gathers other DC villains whose names end with "o" to take his revenge on the JLA. Alas, the whole plan falls apart when T.O. Morrow shows up, for his name ends not with "o," but "ow." 

"But it sounds the same!" 

Not good enough for the O Squad. 

I'm not sure what brought that story to mind tonight, but I began to wonder if the O Squad would ever get their own series. That prompted me to design a masthead for such a comic book. 

My graphic design skills are quite rusty from long disuse, but I think this works conceptually. It obviously needs considerable polishing to meet professional standards. I had fun designing it, though! 
 

Sunday, January 01, 2023

Nothing Lasts Forever: Books I Read in 2022

Note: Blogger glitched at the wrong moment and erased most of yesterday’s original post, so I’ve reconstructed it from what little remained plus whatever my frazzled brain can remember of what I wrote. Because this post was supposed to come out yesterday, there are a couple of temporal references that don’t make sense. 

In 2022 I read a paltry 61 books, a performance only slightly better than last year's all-time low. As with last year, the stresses contemplating existential threats to civilization hampered my ability to focus on reading and blunted my enjoyment of reading for pleasure's sake. I spent far too much time doomscrolling, which in all likelihood represented the majority of my reading this year. 

Overview

Fiction v. Non-Fiction

Fiction: 54
Nonfiction: 7

Genres

Fantasy: 7
Horror: 2
Mainstream: 5
Science Fiction: 25
Star Trek: 12

Books by Decade

1890s: 2
1950s: 1
1960s: 1
1970s: 2
1980s: 7
1990s: 5
2000s: 6
2010s: 16
2020s: 19

Gender Split

Books by Women: 14
Books by Men: 47

Commentary and Analysis

Parity between men and women authors slipped away from me this year, and once again I avoided much of the new and retreated into familiarity. About a third of the books I read this year--23 out of 61--were rereads, including most of Michael P. Kube McDowell's output, several favourites by Lois McMaster Bujold, a handful by Nancy Kress and H.G. Wells, and a few old (and new) novels by Stephen King. 

Science fiction dominated my reading as I sought escape from these times, defeating my ongoing efforts to read more mainstream and literary works. Once I had dreams of reading everything in the western canon; now, not so much. As I get older, I’m finding that, more and more, my reach exceeds my grasp. See? Hoary metaphors, the last resort of the lazy and uninspired. 

I didn’t read much nonfiction this year, aside from matters related to pop culture. I feel bad about that, because I used to read serious, long-format non-fiction as a matter of course, feeling it part of my duty as a citizen to be well-informed. For now, it’s too much for me. 

Enriching Reads

Roderick Thorp's 1979 detective thriller Nothing Lasts Forever was one of my favourite surprises of the year. Nothing Lasts Forever is most famous for serving as the story for the 1988 action film Die Hard, and while Die Hard is one of the best examples of the form, the original novel, in my view, has it beat. Nothing Lasts Forever has all the suspense and thrills of the movie, and if you've seen the movie you already know the plot (with a few key differences in character motivations, backgrounds, and relationships. But the novel's great strengths include considerable emotional heft and a poetic cynicism that actually hurts to read--in a good way. Joe Leland is an ex-fighter pilot and detective, and while he does battle with the terrorists that take over the Klaxon Oil building, we dive deep into Joe's current terror and rage and explore the personal traumas that brought him to this point. There's no “yippee-kai-yay” here, just a bruised, broken human being trying to salvage a little bit of happiness for what's left of his life. 

As an aside, I'm currently reading Roderick Thorp's first novel about Joe Leland, 1966's The Detective. I won't finish it before the clock strikes midnight, so it'll more than likely be the first book I complete in 2023. I'm about a quarter of the way through it, and I'm impressed, so far, by Thorp's handling of Leland's character arc; the younger version of Leland is still a bit cynical, but he's definitely more vital and less ravaged than the man we follow in Nothing Lasts Forever. The Detective, like its sequel, also has a film adaptation: Gordon Douglas' The Detective (1968), starring Frank Sinatra, which I screened earlier this year. Sinatra declined to appear in the film that became Die Hard; on such butterflies does the history of cinema change. 

84K, by Claire North, was the novel that depressed me most in 2022. It's a fine novel of a near-future dystopia and one man's effort to find some absolution in a horrible world he helped create, but the problem is North's supercapitalist nightmare is all too plausible; it's a society where corporations run everything and crimes are punished strictly by fines, effectively giving the rich freedom to do whatever they want to whoever they want and shackling everyone else. It took me forever to read this, because I had to keep putting it down in order to retain my mental health. 

On the other hand, I loved two recent novels by Naomi Novik: A Deadly Education and The Last Graduate. Both follow the adventures of a group of students working to graduate from a university that teaches magic, but I found Novik's prose, characterization, and worldbuilding considerably stronger than the most famous series based on this trope. (And I enjoyed the Harry Potter books!) Novik really makes you care about her characters, and the jeopardy they face is often horrifying. And yet, these are fun books. I groaned when I reached the cliffhanger ending of The Last Graduate to discover there was, at the time I read it, an as-yet-unpublished third book in the series. As I was writing that last sentence, I checked and I'm thrilled to say the third and final book, The Golden Enclaves, has come out and I just bought it. So that'll probably be the fourth book I read in 2023. (Numbers two and three will be a pair of books Leslie gave me back in August.) 

Return to Tomorrow: The Filming of Star Trek: The Motion Picture by Preston Neal Jones is one of the most interesting behind-the-scenes chronicles of the filmmaking process I've ever read. Though published in 2014, the personal anecdotes that make up the bulk of this huge tome were captured by the author way back in the late 1970s, during the film's famously tumultuous production.

I read another notable Star Trek-related work of non-fiction this year: 2021’s Star Trek: Designing the Final Frontier, by Dan Chavkin and Brian McGuire. Chavkin and McGuire cover the efforts of the propmasters, production designers, and other talented artists who sourced and modified the furniture, décor, and other set dressing during the filming of Star Trek back in the 1960s. The book is full of gorgeous behind-the-scenes colour photographs and episode stills, and you’ll even learn a little about design principles and history as you read. I never imagined I’d find this particular topic interesting, but the authors did a great job of explaining how mid-20th century design trends informed and shaped the look of Star Trek’s imaginary future. I’ll never look at the show the same way again. 

I took great pleasure in reading Chris Thompson’s Moonbase Alpha Technical Operations Manual, which cleverly serves as an in-universe prop that might have existed on Moonbase Alpha itself; it’s written as a guidebook for new inhabitants of the base, with new material covering the disaster that flung the Moon out of Earth’s orbit in the fall of 1999. The prose elements are crisp, detailed, and meticulously researched, while the graphic design and artwork are really stunning. It’s a gorgeous book, one of the few physical books I bought this year (Designing the Final Frontier being the other notable example). 

I loved this book so much that I pre-ordered the special edition of a follow-up work using the same in-universe conceit: the S.H.A.D.O. Technical Operations Manual, also by Thompson, which describes the technical workings of the fictional anti-alien defence organization featured on UFO, the spiritual prequel to Space: 1999. I haven’t read it yet, but you’ll doubtless see my reaction to it next December 31. 

And finally, in 2022 the two gentlemen who write pseudonymously as James S.A. Corey wrapped up their long-running SF series, The Expanse, with Leviathan Falls. This series pleasantly surprised me from book one, and this series finale is fitting, logical, and bittersweet—a great sendoff for a world and characters I’ve come to really enjoy. It was a series with grand SF ideas and, more importantly, flawed but authentic heroes who were trying to do the right thing in a universe filled with terrible choices. 

Disappointing Reads

Tie-in fiction is a crap shoot at the best of times, but Pocket Books’ recently wrapped up the long-running Star Trek “litverse” because new shows such as Picard and Discovery wrecked the continuity established by the last couple of decades of novels Trek novels. Pocket wrapped things up with a messy, violent not-very-Trek-like trilogy that saw the novelized versions of 90s-era Trek characters sacrifice themselves to prevent a temporal anomaly or some other such nonsense to prevent the destruction of the universe, resetting continuity to allow for more tie-in novels that can take advantage of the new shows. Nonsense, but not a great loss; out of hundreds of novels published, there are maybe two dozen of legitimate quality beyond breezy entertainment. 

Normally I enjoy Philip Pullman’s work, but I didn’t get much out of Serpentine (a His Dark Materials tie-in), The White Mercedes, or The Broken Bridge. None of these books were bad, but they just didn’t engage me as much as some of his other work. In this case, I suspect the problem is me, not Pullman. He’s a gifted guy. 

Because I’d read Nothing Lasts Forever, I figured I may as well read Walter Wager’s 58 Minutes, the inspiration for Die Hard 2. Surprise: 58 Minutes is a better book than Die Hard 2 is a movie, but the decline in quality from Thorp to Wager is pretty much parallel to the decline in quality from Die Hard to its first sequel. Not that Thorp and Wager have anything to do with each other; they just happen to each have written novels turned into movies from the same series. 58 Minutes is engaging for what it is—a high-stakes thriller—but it doesn’t have any of Thorp’s nuance or gift for in-depth character study. 

That’s it for my commentary—here’s what my year in reading looked like, in order of books completed. Scroll to the end for one final thought and a couple of links. 

Month-by-Month

January: 8
Beggars in Spain (Nancy Kress, 1993) 
Beggars and Choosers (Nancy Kress, 1994) 
The Time Machine (H.G. Wells, 1895) 
The Quiet Pools (Michael P. Kube-McDowell, 1991)
Leviathan Falls (James S.A. Corey, 2022) 
The Future of Another Timeline (Annalee Newitz, 2019) 
Dangerous Visions (Harlan Ellison, 1967) 
A Deadly Education (Naomi Novik, 2020) 

February: 9
The Last Graduate (Naomi Novik, 2021) 
The Galactic Whirlpool (David Gerrold, 1980) 
The Art of John Buscema (John Buscema, 1978) 
John Buscema: Michelangelo of Comics (Brian Peck, 2010) 
Star Trek Coda: Moments Asunder (Dayton Ward, 2021)
Star Trek Coda: The Ashes of Tomorrow (James Swallow, 2021) 
The War of the Worlds (H.G. Wells, 1897) 
Star Trek Coda: Oblivion’s Gate (David Mack, 2021) 
Star Trek Shipyards (Ben Robinson, 2018) 

March: 12
The 22 Murders of Madison May (Max Barry, 2021) 
Emprise (Michael P. Kube-McDowell, 1985)
Enigma (Michael P. Kube-McDowell, 1986) 
Empery (Michael P. Kube-McDowell, 1987) 
Exile (Michael P. Kube-McDowell, 1992) 
Alternities (Michael P. Kube-McDowell, 1988) 
Gwendy’s Final Task (Richard Chizmar and Stephen King, 2022) 
Beguilement (Lois McMaster Bujold, 2006)
Sky Captain and the Art of Tomorrow (Kevin Conran, 2021) 
Legacy (Lois McMaster Bujold, 2007)
Passage (Lois McMaster Bujold, 2008)
Horizon (Lois McMaster Bujold, 2009)

April: 2
The Martian Chronicles (Ray Bradbury, 1950) 
The White Mercedes (Philip Pullman, 2017) 

May: 4
The Tumor (John Grisham, 2016) 
Underground Airlines (Ben Winters, 2016) 
Space Station Down (Ben Bova and Doug Beason, 2020) 
The Art and Soul of Blade Runner 2049 (Tanya Lapointe, 2017) 

June: 1
A History of What Comes Next (Sylvain Neuvel, 2021) 

July: 2
84K (Claire North, 2018) 
Fitzpatrick’s War (Theodore Judson, 2004) 

August: 4
Return to Tomorrow: The Filming of Star Trek: The Motion Picture (Preston Neal Jones, 2014) 
Star Trek Department of Temporal Investigations: Shield of the Gods (Christopher L. Bennett, 2017) 
The Sins of Our Fathers (James S.A. Corey, 2022) 
Serpentine (Philip Pullman, 2020) 

September: 3
To Everything That Might Have Been: The Lost Universe of Space: 1999 (Robert E. Wood, David Hirsch, and Christopher Penfold, 2022) 
Fairy Tale (Stephen King, 2022) 
Star Trek: Designing the Final Frontier (Dan Chavkin and Brian McGuire, 2021) 

October: 3
Christine (Stephen King, 1983) 
Klingon Bird-of-Prey Haynes Manual (Ben Robinson, 2012) 
Moonbase Alpha Technical Operations Manual (Chris Thompson, 2021) 

November: 6
The Broken Bridge (Philip Pullman, 1990) 
Nothing Lasts Forever (Roderick Thorp, 1979) 
U.S.S. Enterprise Haynes Manual (Ben Robinson, 2010) 
Klingon Bird of Prey Haynes Manual (Ben Robinson, 2012) 
58 Minutes (Walter Wager, 1987) 
Vectors (Michael P. Kube-McDowell, 2002) 

December: 5
The Lexington Letter (Anonymous, 2022) 
Too Many Tribbles! (Frank Berrios, 2019) 
I Am Mr. Spock (Elizabeth Schaefer, 2019) 
I Am Captain Kirk (Frank Berrios, 2019) 
Marvel Universe Map by Map (James Hill, 2021) 

Conclusion

That is the year that was for Earl J. Woods and his shrinking library. Nothing lasts forever, truly. 

Head on over to see what Bruce and Leslie had to say about 2022. 

Tuesday, March 15, 2022

Earl's Lumon Business Card

 

Sylvia and I have been watching and thoroughly enjoying Severance, a mysterious horror/satire that addresses late-stage capitalism and the banal inhumanity of office life. And in a clever bit of viral marketing, you can now create your own custom Lumon business card--even if the thought of working at Lumon fills you with dread, as it should. 

Monday, November 11, 2019

Ye Old EBN

Wow, it's been over 20 years since I was publishing my own little newsletter, Blazing Earl News. I sent it out to about two dozen friends. I think Andrea designed this particular logo. Or was it Sean?

Blogging made EBN redundant, though I do miss the little frills of desktop publishing - mostly the freedom of creating your own layouts.

Best of all, though, were the contributions from my friends. Now, that was fun; in a sense, I was the smallest-time editor ever. But I had a great time doing it. 

Tuesday, June 27, 2017

The Ice Cold Eyes of N.O.W.H.E.R.E.


Leaked excerpt from the Nowhikipedia, 2051 edition. 

The Nemesis Order: Western Hemisphere Exo-Rational Empire, or N.O.W.H.E.R.E., was a secret cabal of criminals and terrorists dedicated to the overthrow of the western democracies in the early-to-mid 21st century. In 2024, their underwater base in the YUKON RIVER near DAWSON CITY was destroyed by forces as yet unknown, killing N.O.W.H.E.R.E. North Region Chief DAWN SABATINO and an estimated 750 N.O.W.H.E.R.E. AUXILIARY TACTICAL ORDNANCE, MOBILE (A.T.O.M.) troopers. However, this setback did not put an end to the organization, as revealed in The Earl of N.O.W.H.E.R.E., N.O.W.H.E.R.E. to Run, N.O.W.H.E.R.E. to Hide, The Challenge from N.O.W.H.E.R.E., et. al.. SEE ALSO C.H.A.O.S., JELLY BALLS, LEAF RAPIDS, PINE, Madison, O.R.D.E.R., SAVAGE, Trinity, X-WAVES, Z-DUST. 

Wednesday, November 16, 2016

Punchline Badge

Here's something I created for a Halloween costume a couple of years ago. I wasn't sure if my costume was good enough to sell the joke, so to make it foolproof I added a badge featuring this bit of art. As we all know, a joke is funnier when you have to explain it. 

Saturday, November 05, 2016

Green Confectionery


My colleague Diane brought me a present on her return from a vacation to East Asia: this Green Tea Kit Kat bar. I brought it home to share with Sylvia, but we haven't been bold enough to try it yet. The package is certainly interesting. What script is that, I wonder? 

Wednesday, September 21, 2016

Trek to Nowhere

To honour Star Trek's 50th anniversary, here's another in my series of fake "Edge of Nowhere" novels. In this case, I had fun skewing text using paths instead of rasterizing the layer, which leads to a much sharper result. 

Monday, June 27, 2016

Two Hotels

Here are two more partially-restored slides from the collection of my aunt and uncle. I quite like the graphic design of the signs, particularly the Safari. I wonder if either hotel exists anymore. 

Friday, March 25, 2016

Review: The Needle Vinyl Tavern

Yesterday I stumbled across The Needle Vinyl Tavern while looking for a place to have lunch on Jasper Avenue. Normally I shy away from pub food, but the location was convenient, so I wandered inside. I was immediately impressed by the menu's clever design, which, as you can see, emulates an LP. The album inside the sleeve serves as the drinks menu.
The back of the sleeve hosts the food menu. I had the Soft Pretzels & Provolone Fondue as an appetizer; it was excellent. The pretzels were warm, soft and lightly salted, while the dip was creamy and flavourful. For my main course I sampled the Grilled Chicken Club. While the fries were run of the mill, the sandwich itself was superb, with crispy lettuce, fresh tomato, a grilled sourdough bun, scrumptious bacon and most importantly, a very moist and tasty chicken breast.

My only quibble with The Needle is the seating; most tables are accompanied by those really high chairs, which I find uncomfortable and annoying. Luckily I found a bench seat. 

Saturday, August 08, 2015