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Showing posts with label Hawaii Five-O. Show all posts
Showing posts with label Hawaii Five-O. Show all posts
Tuesday, January 15, 2019
Music Made the Shows Go Round
Labels:
Battlestar Galactica,
Dallas,
Hawaii Five-O,
Moonlighting,
Music,
popular culture,
S.W.A.T.,
Space: 1999,
television,
The Bionic Woman,
The Rockford Files,
The Waltons,
Twin Peaks
Tuesday, January 31, 2012
Honolulu Zoom
Inspired by the rapid in-and-out zoom shot from the opening credits of the original Hawaii Five-O, I shot this as Sylvia and I prepared to depart Honolulu. The technique is pretty simple: steady your camera, choose a long exposure, and zoom out while the shutter is open. Fun!
Labels:
Hawaii,
Hawaii Five-O,
Photography,
popular culture,
Sylvia,
television,
Travel
Tuesday, November 02, 2010
Hawaii Five Final Straw
On last night's episode of Hawaii Five-O, the new Steve McGarrett had to deal with a hostage situation. He put on a disguise, but gave himself away, prompting the hostage taker to demand, "Who are you?"
"I'm Five-O," McGarrett answers, which is meant to identify himself as a policeman to the alleged criminal. But of course, as already explained earlier on this blog, in the fictional universe of this TV series there's no reason for the slang term "five-o" to exist. This annoying error, combined with the constant use of shaky cam even for the simplest dialogue set-ups (have none of these people ever heard of a tripod?), pedestrian, predictable plots and ADD editing, have put me off the show for good. I'll stick with the original series, most of which is now available on DVD.
For tarnishing the legacy of one of the great cop shows, here's my final verdict: book 'em, Danno - murder one.
"I'm Five-O," McGarrett answers, which is meant to identify himself as a policeman to the alleged criminal. But of course, as already explained earlier on this blog, in the fictional universe of this TV series there's no reason for the slang term "five-o" to exist. This annoying error, combined with the constant use of shaky cam even for the simplest dialogue set-ups (have none of these people ever heard of a tripod?), pedestrian, predictable plots and ADD editing, have put me off the show for good. I'll stick with the original series, most of which is now available on DVD.
For tarnishing the legacy of one of the great cop shows, here's my final verdict: book 'em, Danno - murder one.
Labels:
DVD,
Hawaii Five-O,
Metafiction,
popular culture,
television
Monday, October 04, 2010
Hawaii Five Update
A few days ago, I explained why I thought the new Hawaii Five-O's title no longer fit the show. Perhaps the producers heard me, for in tonight's episode they provided a tacked-on reference to the famous "five-oh" reference.
During the denoument, the protagonists watch some of McGarrett's old football games over the internet. Apparently McGarrett was a pretty good quarterback, but one of the other characters asks "What kind of number is fifty for a quarterback?" (I have no idea why they would object to this number...some sports thing, obviously.)
"No, not fifty," McGarrett says. "Five-oh."
"Five oh?"
"Yeah, when my family moved here, we felt like outsiders and we started calling ourselves the five-ohs...like the fiftieth state...it made us feel like we had a place we belonged."
"Huh. Five-oh. I like that..."
Approving nods all around, but no reference to "five-oh" being slang for police, which is at least consistent, since as I explained in my last post on this subject, the characters inhabiting this fictional universe should have no reason to identify "five-oh" as such. You could sure see the writers struggling to come up with an alernative reason for the reference, though...
During the denoument, the protagonists watch some of McGarrett's old football games over the internet. Apparently McGarrett was a pretty good quarterback, but one of the other characters asks "What kind of number is fifty for a quarterback?" (I have no idea why they would object to this number...some sports thing, obviously.)
"No, not fifty," McGarrett says. "Five-oh."
"Five oh?"
"Yeah, when my family moved here, we felt like outsiders and we started calling ourselves the five-ohs...like the fiftieth state...it made us feel like we had a place we belonged."
"Huh. Five-oh. I like that..."
Approving nods all around, but no reference to "five-oh" being slang for police, which is at least consistent, since as I explained in my last post on this subject, the characters inhabiting this fictional universe should have no reason to identify "five-oh" as such. You could sure see the writers struggling to come up with an alernative reason for the reference, though...
Labels:
Hawaii Five-O,
Metafiction,
popular culture,
television
Tuesday, September 28, 2010
Hawaii Five Oh-Oh
Earl outside Steve McGarrett's original office in Honolulu, 2008
While watching the new Hawaii Five-O, it occured to me that the reimagined show's title has no internally consistent reason for existing. Allow me to explain.
The original show was so named for the (fictional) state police department of the 50th state, Hawaii; hence, "Hawaii Five-O," shorthand within the universe of the show for the 50th and final state police department of the United States. Presumably in this universe, a show about the state police of Alaska (if indeed they have state police) would be named Alaska Four-9. While Hawaii does not, in reality, have a state police force, the show was so popular that in the real world, police officers of any geographic location came to be referred to as "five-o."
If the new show were a mere continuation of the old - that is, if the characters were new and the adventures of Steve McGarret and Danno and Kono and all the rest were acknowledged to exist in the past of the new show's fictional universe, the title would still make sense. The old show was Hawaii Five-O; the new show is Hawaii Five-O.
But the new show's characters all have the same names as characters in the old show. So there are new actors playing McGarrett, Kono, Danno and Chin Ho. Presumably in this universe there was never a television show called Hawaii Five-O; otherwise, the new Kono, McGarrett et al. would presumably be amazed that four people with the names of famous characters of the seventies were brought together to work in similar circumstances, namely serving as police officers in Hawaii.
"Say, McGarrett, isn't it weird that you and I and Kono and Chin Ho all have the same names as the guys from that old tv show?"
"Yeah, it's weird. But it's not THAT huge a coincidence, because the real Kono is a girl, and the dude on the show was a guy."
"Oh yeah, that's true."
Since this conversation never occurs, we can infer that the original Hawaii Five-O (the television show, that is) does not exist in the world of the new show. But even worse, there's no reference to a state police force in the new show; the characters just work on some kind of "task force." They can't call themselves "Hawaii Five-O" because there is no 50th state police force in the world of the show. But since the original TV series didn't exist in the world of this show, nor can they call themselves "five-o" colloquially, because the reason for the catchphrase - the original show - doesn't exist in the world of these new characters.
Of course you could argue that television show titles exist outside the narrative. But Hawaii Five-O's title was uniquely derived to highlight a crucial aspect of the fictional world it created: there exists a state police force in Hawaii, and these are their adventures.
I think we should get Steve McGarrett on this case immediately.
Labels:
Hawaii,
Hawaii Five-O,
Metafiction,
popular culture,
television
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