Thursday, June 21, 2018
Wednesday, June 20, 2018
Tuesday, June 19, 2018
Monday, June 18, 2018
Sunday, June 17, 2018
Saturday, June 16, 2018
For some time, Stephen and I have talked about trying out the campaign rules of A Call to Arms: Starfleet. To that end, we each assembled a 1,500 point fleet last night and had at each other, introducing crew quality and scout rules, since those play a large role in the campaign game.
It's a good thing this was a test run and not the beginning of our actual campaign, because boy, the Klingons came at my fleet with fangs bared and made short work of us, losing only one small ship while wiping out all eight of my starships. The way I see it, I made three fundamental mistakes:
1) Though I considered it, I decided not to field a scout ship. Steve fielded two, which gave him a consistent bonus to initiative and the ability to jam my ships, reducing their defensive and offensive firepower. Against this, I had no defence.
2) I spread my ships out in a not-so-clever attempt to flank the Klingons, while Steve held his ships in a well-disciplined line. This allowed Steve's Klingons to pick off my ships one-by-one.
3) I recognized one turn too late - and possibly two turns too late - that the battle was lost. Had I attempted to retreat one or two turns earlier than I did, I might have saved three or four of my starships. As it was, I lost all eight. Actually, even worse - given the shape the ships were in at the last turn, you'd probably have to consider the last three ships not destroyed, but captured - including my dreadnought and a Constitution-class heavy cruiser. Admiral Woods will be lucky to keep his job after this..!
Despite this humbling result, it was great fun managing a task force of this size and experimenting with the various strengths and weaknesses of the different starships. I'll try to keep this experience in mind when Steve and I start the real campaign later this year.
Friday, June 15, 2018
Thursday, June 14, 2018
Wednesday, June 13, 2018
Tuesday, June 12, 2018
YouTube user dyna74 has created and published a series of adaptations of the first few Star Trek feature films, using action figures to recreate the visuals and those old cheesy record adaptations for the dialogue, music and sound effects. The results are quite charming.
Monday, June 11, 2018
A gentleman named Keith Bradbury has used footage from Into Infinity, a Gerry Anderson tv-movie made between the first and second seasons of Space: 1999, to create a fan precursor to that series called Space: 1998. Bradbury uses clever editing, sound effects, music, and voiceover narration to place the unrelated Into Infinity into the universe of Space: 1999. Very well done; I'll have to see if I can find the original. Also nice to see a young Brian Blessed in action, as well as "Alan Carter" and "Victor Bergman" before the moon was blown out of Earth's orbit...
Sunday, June 10, 2018
Saturday, June 09, 2018
Friday, June 08, 2018
Thursday, June 07, 2018
Wednesday, June 06, 2018
Mike Totman found this, and I share it gleefully. Utterly charming, and brings back fond memories of playing with Mego Star Trek figures in Leaf Rapids.
Tuesday, June 05, 2018
Steve came up with a great idea for the group photo this year: stage the basement to look like a seedy bar. The guys all displayed tremendous creativity and patience, and Rob in particular saved the shoot with his advice. I haven't yet narrowed down what will become THE official portrait of G&G XIII; the guys will have to vote on that. But here are my favourites, desaturated as requested for that film noir look:
Monday, June 04, 2018
Sunday, June 03, 2018
Saturday, June 02, 2018
Friday, June 01, 2018
Stephen King must be closing in on 75 or so published titles, so I hope it doesn't seem like I'm damning with faint praise when I say there's nothing wrong with his latest, The Outsider, but it feels like he's retreading some old ground. Specifically, the first quarter or so of the novel feels very much like The Dark Half (1989), in which an innocent man is accused of a murder, with tremendous evidence to prove it, but he also has an alibi so impossibly airtight it's clear the supernatural must be involved. To be fair, there's a twist in the tale, but even though King's prose feels somehow sharper and tighter than it has been in a while, the story itself isn't terribly compelling. Maybe Elevation, coming later this year, will be stronger.