Cranberry Portage has been evacuated as a wildfire closes in on the tiny community. My paternal grandmother and her partner Val lived in Cranberry Portage for as long as I knew them; it lies just a few kilometers south of Flin Flon, my birthplace.
Cranberry Portage is barely a blip on the highway, home to just a handful of businesses and some dozens of homes; it's a peaceful, quiet, lovely corner of northern Manitoba. I hope it survives this latest crisis.
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Monday, May 13, 2024
Cranberry Portage Evacuated
Thursday, August 17, 2023
Command Z
Here's a neat idea: Steven Soderbergh has released Command Z, a series of interconnected shorts about time travelling to fight climate change. To watch, you pay 8 bucks, all of which goes to support Children's Aid and the Boston University Center for Antiracist Research.
I've just finished the series, and while it's not peak Soderbergh, its heart is in the right place and there are some good laughs and thoughtful commentary on our present catastrophe. Plus, giving 8 bucks to charity to see what amounts to a feature-length film is a way better deal than most moviegoing opportunities. Three out of five stars, with a bonus half-star for trying to change the world for the better.
Sunday, May 21, 2023
Generation X-tinction
This one comes closer, though. My frame of mind is pretty pessimistic these days, what with <gestures at everything>. As I was shooting some photos of the apocalyptic sky, I thought about my own privilege, and how Generation X seems to be the last generation to have had a shot at living prosperously--that is, a lot of us own our own homes, we have well-paying jobs, and (perhaps) a chance at a decent retirement. Aside from a very lucky few, the Millennials, Gen Z, and those following have the cards stacked against them in terms of career opportunities, relatively stable government, general affordability, and so on.
The post-war boom of the mid-20th century gave us the illusion and the expectation that generation after generation would enjoy more prosperity than the one preceding it. That notion has fallen apart, thanks to a tiny minority of psychopathic billionaires and their political enablers working together to hoard the planet's wealth while destroying the biosphere in the process.
And in the midst of all this, polls still suggest that this month's provincial election is still a 50-50 race between Rachel Notley's NDP and Danielle Smith's UCP, who are hell-bent on privatizing our public institutions and reviving the coal industry even in the midst of wildfires burning down communities and poisoning our air.
What a world we've made for ourselves.
Friday, November 11, 2022
The Square of Zero
Friday, July 22, 2022
How Would You Replay Your Life?
Replay, Ken Grimwood's 1986 novel, keeps crossing my mind even a couple of decades after I first read it in the early 2000s. The premise is simple but utterly fascinating in its possibilities and limitations: Journalist Jeff Winston dies of a heart attack at age 42 in 1988, but awakens with all his memories back in his 18-year-old body while starting university in 1963. He lives his life with the tremendous advantage of his experiences and knowledge of the next 25 years to come, but no matter what, he dies at age 42 and starts the cycle all over again, with each "replay" growing slightly shorter.
Winston occupies his replays in various ways. He finds a different love, he gets rich, he goes public with his knowledge of the future and winds up in the custody of the US government, all the while trying to understand why he's in this predicament and what it all means.
A Replay with a Difference
I think anyone who reads this book has wondered what they would do in Jeff's situation. I've played out the scenario several different ways, but lately my hypothetical goal has changed, as have my parameters for my replay cycle.
Imagine if whatever force of nature or diving being was behind the replays wasn't getting what it desired out of the cycles. Perhaps it was missing something fundamental. So he/she/it decides, or evolves, a different replay methodology.
After my first death, I get a choice. Instinctively, I know that I'm going to be reborn in my own body at a younger age, but I have a fraction of time to choose the exact date.
I choose April 5, 1976, the day after my brother Sean is born. I choose this death for two reasons: First, because my knowledge of the future and my inability to remember precisely what I was doing when I was seven years old mean that I might do or say something before my brother's birth that might affect his conception, delaying it or advancing it by the few crucial hours or days that would mean I'd likely wind up with an entirely different younger sibling. Second, because in a sudden explosion of near-death hubris, I decide I want to use my replay to save the world from climate change - and having the knowledge and experience of a, say, 60- to 80-year old man housed in the body of a seven year old would be startling enough to attract the attention of adults with enough influence to potentially do something about my warnings of future catastrophe.
In this scenario, the later I die the first time, the better, because I can describe the worst effects of climate change to the people of the 1970s. But even if I died now (um, please no), I think I still have enough knowledge to convince the powers-that-be that the time to act is their "now."
Strategy: Minimize Harm to My Circles, Maximize Chances to Halt Climate Change
My first concern would be to avoid traumatizing my parents, my new little brother, my friends and teachers at school, and my extended family, at least to the extent possible. I'm not a good enough actor to play myself at seven years old, but I might be able hide the sudden disappearance of the child that I was by growing even more introverted and thoughtful than I was.
I'd do my best to act like the kid I remembered being in Leaf Rapids: I'd toboggan in the winter, play with action figures, read voraciously, play cops and robbers, watch Star Trek on CBC, one of two English television channels we had up there. But I'd also be spending (even more) time at the library. And I'd be writing letters.
The First Outreach
First, I'd try Dr. Carl Sagan. Going strictly my memory, I believe that in 1976 he'd probably be working on either the Viking (or was it Mariner?) Mars lander and the Voyager 1 and 2 probes. My first letter might go something like this:
"Dear Dr. Sagan,
"My name is Earl J. Woods. I'm a great admirer of your work and your writing. As a scientist, you know that extraordinary claims require extraordinary evidence. I have an extraordinary story to tell you, and I'm hoping we can talk about it. But first, I have to provide you with some extraordinary evidence, evidence that might take some months or years to come to light.
"Sometime in 1980, you will write and star in a television series called Cosmos, based on your book of the same name. The show will air on PBS, and in it you'll tie human history and civilization to astronomy, astrophysics, and the great forces of nature that shape our evolution and possibly our destiny. The show will feature music by Vangelis; the first episode will be named "Heaven and Hell," which is also the name of one of the pieces of music by Vangelis composed for the show. The show will be hailed as a major work of education, and you'll become famous for your intonation of "billions and billions." (I don't remember if you actually said/will say this in the show, but it becomes an enduring meme.)
"Voyager 1 and 2 will not only meet but greatly exceed their mission parameters. Or was it the Pioneer probes you worked/will work on? I don't remember the specifics, but rest assured Pioneer was also a great success.
"In the election of 1980, Ronald Reagan will defeat Jimmy Carter. The Iran Hostage Crisis will end shortly before or after Reagan's inauguration. There will be an assassination attempt on Reagan in 1980 or 1981; the would-be assassin will be John Hinkley, who had an unhealthy obsession with Jodie Foster, the young actress from Martin Scorsese's film Taxi Driver.
"Star Wars by George Lucas will be the highest-grossing film of all time in the summer of 1977, though Gone with the Wind will remain the true champion when adjusted for inflation.
"Director Alfred Hitchcock will die in 1980.
"A few years after writing Cosmos, you'll write Comet with your partner Ann Druyan.
"In 1983, the Soviets will shoot down Korean Airlines Flight 007 over, I believe, the Kamchatka peninsula. This action will precipitate a massive diplomatic crisis and is seen as one of the most dangerous events of the Cold War."
"Conservative Joe Clark will become Prime Minister of Canada for a few months in 1979-1980, leading a minority government. His government will lose a vote of confidence and Pierre Trudeau will return from 'a walk in the snow' and lead the Liberals back to power in 1980.
"Dr. Sagan, by now you will think that I'm some kind of madman, or perhaps a stalker who's somehow discovered things you thought private, like your future plans. I'm hoping that my writing this letter will not cause the events I remember to unfold differently. My only hope of your belief is that at least a few of the events I've predicted come true.
"I'm writing to you because I want to share some very important future events with you. I believe you're one of a small percentage of people in the world who understand the existential threats our civilization faces. Currently I believe you're most concerned about nuclear weapons. Take some solace in knowing that in my experience, they have never been used as weapons of war since 1945.
"The threat humanity faces is global warming caused by burning of fossil fuels. By 2022, scientists expect that the world could warm up by another 2.5 degrees Celsius or even higher by the year 2050. In my future, the impacts of climate change are already being felt in the form of more intense and more frequent natural disasters such as wildfires, hurricanes, flooding, drought, and so on. The world's glaciers are rapidly melting, and government and industry have failed to take the actions necessary to prevent the worst from happening.
"I am not a scientist. I'm just a reasonably well-read layman. If I can prove my knowledge of future events to you and other influential people, there's a chance that my warnings about climate change could cause human beings to act more decisively and far earlier than they have in my time, which by now you'll have surmised is the early 21st century.
"If and when you meet me, you'll probably be shocked by my appearance. But that's a problem for another time. For now, I can only hope that you'll be curious enough to reach out and perhaps conduct some scientific tests to determine if I'm telling the truth or if I'm just another crafty faker.
"I'll continue to try and remember events of the late 1970s before they happen in an effort to convince you faster. I'll write more letters as I gather my thoughts; this experience is still very new to me, and very difficult to navigate.
"I've enclosed my phone number and mailing address just in case you threw away the envelope. How I wish I had e-mail or a cell phone to text you, but those things won't be invented for decades. Would you believe there's more computing power in my phone than there is in your most sophisticated equipment of today - probably by a factor of thousands? I'll tell you about it sometime.
"I hope to hear from you. Thank you for showing how science is a candle in the dark. You were and are an inspiration.
"Regards,
Earl J. Woods"
Backup Plans
If Sagan failed to respond, I'd probably start writing similar letters to science fiction writers and the campaigns of national US and Canadian politicians. George Lucas and Gene Roddenberry might be good bets; I know enough about the production history of their creative efforts to boggle them. They don't have the benefit of 50 years of behind-the-scenes books and documentaries.
Securing My Own Future
Somehow, I'd convince our family doctor to check my parents regularly for specific health issues I know they'll develop later in life. I'll be nicer to my brother and more forgiving and less clueless with people my age. I'd be tempted to direct my parents to invest a little money in sure stock hits, but boy, would I be wary lest I create enough of a butterfly effect to change the course of the future and make my predictions less and less accurate and therefore less convincing to the people in charge.
I'd certainly avoid getting addicted to Coke, and I'd work harder in university. I'd pursue writing jobs more aggressively and start that career earlier, given my decades of subjective experience. I'd stay in shape; keeping weight off is a heck of a lot easier if you don't get fat in the first place.
Success or Failure?
Even if my warnings were heeded, would industry and governments take action that was bold enough and early enough to save civilization? I have no idea now, and I'd have no idea as I aged from seven up. I might get an inkling by the 2020s; if things aren't as bad in that decade the second or third or fourth time around, I'd know my strategy was paying off. Maybe, as in the book, I'd survive my destined death once civilization was safe, and maybe I'd get enough extra years of life to enjoy the fruits of my efforts.
It's a nice fantasy. How terrible that I need it.
Sunday, January 02, 2022
Hopes and Dreams for 2022
Number one, I hope we can arrange a really nice birthday celebration for Mom's 80th this summer. Number two, which, of course, has a large impact on number one, I hope we bring the COVID-19 pandemic under control. Number three, I'd love to hear some more good news in general, some hope that civilization can still save itself.
Go big or go home, right?
Friday, December 31, 2021
Books I Read in 2021
Or What You Will (Jo Walton, 2020)
Star Trek Adventures Quickstart Guide (Modiphius, 2017)
Axiom’s End (Lindsay Ellis, 2020)
The Vanished Seas (Catherine Asaro, 2020)
Lightning Strike, Book One (Catherine Asaro, 2014)
Lightning Strike, Book Two (Catherine Asaro, 2020)
Carrie (Stephen King, 1974)
Way Station (Clifford D. Simak, 1963)
The Wounded Sky (Diane Duane, 1983)
My Enemy, My Ally (Diane Duane, 1984)
February: 7
The Lightest Object in the Universe (Kimi Eisele, 2019)
DC Comics Covers (Nick Jones, 2020)
DC Comics Supervillains: The Complete Visual History (Daniel Wallace, 2014)
Art of Star Wars: The Mandalorian (Phil Szostak, 2020)
The Big Lie (Julie Mayhew, 2015)
Passage (Connie Willis, 2001)
The Romulan Way (Diane Duane and Peter Morwood, 1987)
March: 6
The Eye of Argon (Jim Theis, 1970)
My Immortal (Tara Gilesbie, 2006)
Later (Stephen King, 2021)
Star Wars Complete Vehicles New Edition (Kerrie Dougherty, 2020)
To Lose the Earth (Kristen Beyer, 2020)
Severance (Ling Ma, 2018)
April: 3
The World of Cyberpunk 2077 (Marcin Batylda, 2020)
Classics Illustrated: A Cultural History, with Illustrations (William B. Jones Jr., 2001)
Seduction of the Innocent: The Influence of Comic Books on Today’s Youth (Fredric Wertham, 1954)
May: 3
The Ten Thousand Doors of January (Alix E. Harrow, 2019)
Home: Habitat, Range, Niche, Territory (Martha Wells, 2020)
Fugitive Telemetry (Martha Wells, 2021)
June: 2
Ulrich Haarburste’s Novel of Roy Orbison in Clingfilm: Plus additional stories (Ulrich Haarburste, 2019)
Forbidden Knowledge: 101 Things No One Should Know How to Do (Owen Brooks, 2019)
July: 3
Critical Failures (Robert Bevan, 2012)
Living Memory (Christopher L. Bennett, 2021)
Come Closer (Sara Gran, 2003)
August: 5
The Physicians of Vilnoc (Lois McMaster Bujold, 2020)
Masquerade in Lodi (Lois McMaster Bujold, 2020)
The Assassins of Thasalon (Lois McMaster Bujold, 2021)
Billy Summers (Stephen King, 2021)
The Princess Saves Herself in This One (Amanda Lovelace, 2016)
September: 2
Then Everything Changed (Jeff Greenfield, 2011)
The Stand (Stephen King, 1980)
October: 2
Available Light (Dayton Ward, 2019)
Knot of Shadows (Lois McMaster Bujold, 2021)
November: 7
The Apollo Murders (Chris Hadfield, 2021)
Visiting Friends: Or, What I Did on My Summer Vacation (Jo Walton, 2021)
Project Hail Mary (Andy Weir, 2021)
2034 (Elliot Ackerman and Admiral James Stavridis, 2021)
Untold Horror (Dave Alexander, 2021)
The History of Science Fiction: A Graphic Novel Adventure (Xavier Dollo, 2021)
Forever and a Day (Anthony Horowitz, 2018)
December: 7
The Steranko History of Comics, Volume One (Jim Steranko, 1970)
The Steranko History of Comics, Volume Two (Jim Steranko, 1972)
All in Color for a Dime (Richard A. Lupoff and Don Thompson, 1970)
Comix: A History of Comic Books in America ( Les Daniels, 1971)
The Psychology of Time Travel (Kate Mascarenhas, 2018)
The Grownup (Gillian Flynn, 2014)
Hench (Natalie Zina Walschots, 2020)
Fiction: 42
Nonfiction: 15
Poetry: 1
Genre
Fantasy: 8
Horror: 3
Mainstream: 11
Science Fiction: 14
Star Trek: 6
Top Authors
Lois McMaster Bujold: 4
Stephen King: 4
Catherine Asaro: 3
Diane Duane: 3
Jim Steranko: 2
Jo Walton: 2
Martha Wells: 2
Books by Women: 29
Books by Men: 29
1950s: 1
1960s: 1
1970s: 6
1980s: 4
2000s: 4
2010s: 16
2020s: 25
Friday, July 30, 2021
Sweat Gets in Your Eyes
Thursday, July 01, 2021
Unhappy Canada Day
The Great Western Canadian Heat Wave of 2021 hit me hard last night, and the effects have lasted all Canada Day. Normally this would not be a big deal, except that I was really looking forward to today because it would have been the first social gathering Sylvia and I have attended since before the COVID-19 pandemic hit; and for that matter, the first time in years that we had decent plans for Canada Day.
So I guess I'm feeling a bit out of sorts. And now I feel guilty, because hundreds of people in British Columbia are dead thanks to the heat wave, and there are probably more casualties around the world that I haven't heard of yet.
And it scares me that this could be the new normal.
I'm glad that my friends were able to get together, though, and there will be other gatherings.
Ugh, my privilege is leaking.
JULY 4 UPDATE
Tuesday, June 29, 2021
Heat Exhaustion vs Heat Stroke
Monday, June 28, 2021
Heat Wave 2021
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Art by KC Green, 2013 |
Welcome to the coolest summer of the rest of your life. Edmonton is expected to enjoy (to varying degrees, pun intended) temperatures of 30 degrees Celsius and above every day this week, more +30 highs in just a few days than the region has experienced collectively in the last five years. Of course, weather is not climate and even outlier events like these cannot be definitively linked to global warming, but the problem is...when are extreme weather events like this no longer outliers, but the new normal?
Friday, June 25, 2021
Where Is the Epic Put-the-Fear-of-God-into-Them Climate Change Film?
When nuclear holocaust was humanity's greatest fear, a handful of key films explored what effect a nuclear war might have on civilization. Dramatic pictures such as Threads and The Day After and documentaries like If You Love This Planet painted pictures so unbelievably grim that some people my age still shudder with dismay at the memories. It's hard to say how much films like these pressured the world's peoples into making nuclear arms less acceptable and therefore led to the nuclear arms reductions of the 1990s, but there was at the very least some subconscious impact on the public consciousness.
The movies I mention above were released in the early 1980s, one of the heights of the Cold War, a time when nuclear war seemed to some not only possible, but perhaps inevitable.
Why then, I wonder, has there not been a single big-budget, mainstream drama about the end of the world due to climate change? I'm not talking about farcical disaster films, but serious dramas that truly capture the existential threat.
I suspect that one reason is the different natures of the catastrophes. Nuclear war happens suddenly, with worldwide devastation wrought in mere minutes. Climate change is, in human terms, more of a slow-motion crisis. Plus, it's easy to understand the immediate threat of big bombs; the threat of drought, crop failure, sea level rise, and a rising number of extreme weather events feels less like a disaster and more like something that might happen, sometime after I'm dead, in places far away from me.
I won't be surprised when someone makes this movie, though; a sprawling epic told across decades, from the days in the mid-20th century when the danger was first recognized to the end of days when the world's societal and economic systems can no longer cope with the increasing rate of change and we collapse together into barbarism.
I hope whoever it is makes it soon, though, because the general public and world's movers and shakers need the emotional gut punch of a Day After or Threads to push us back on track. It may already be too late, of course, but one can hope otherwise.
Wednesday, September 30, 2020
One of Those Moments
Last Thursday I experienced a moment of something close to despair. I stayed up far too late; I didn't come to bed until midnight, even though I had to get up at six to get ready for work.
When Sylvia asked why I was up, the answer congealed immediately, and I spat it out in surprise:
"I don't want to go to bed because waking up will bring doomsday another step closer."
In the moment, I believed it. Generally I'm pretty good at seeing the abundance of good in the world, but the mounting evidence that we won't act quickly enough to prevent civilization from being destroyed by climate change, the world's democracies sleepwalking into fascism, the unsustainable gap between the rich and poor, mass extinctions, political polarization, and the rejection of science and expertise by so many...well, some nights it feels like the bad's catching up, to put one of my favourite Gowan songs in reverse.
I felt better the next day, and I feel better now, even though nothing has changed. Except I remembered I still believe there's a chance civilization will pull through in the end, and that our better natures will prevail.
Thursday, December 26, 2019
Quick Takes: The Arrival
It's the terraforming/global warming aspect that gives The Arrival some additional interest, and gives the film extra relevance today. At one point, one of the aliens tells Sheen's character "If you can't take care of your planet, you don't deserve it." Unfortunately, I think this line will take on additional prescience with every passing year.
Sunday, September 01, 2019
The Retirement Dream and the Waking Nightmare
Vancouver Island
Prince Edward Island
St. John's (or somewhere on the Avalon peninsula)
Some little hamlet in New Brunswick or Nova Scotia
All of these places offer natural beauty, lovely people, plentiful entertainment and relaxation opportunities, better weather than the Prairies, and proximity to larger cities should the desire for metropolitan experiences ever hit.
In all honesty, though, these feel like fantasies. For some time now I've felt a sense of impending economic doom on a personal level, perhaps because I feel like I've used up all the luck I have to get to where I am now. I've often told people how incredibly fortunate I feel to have enjoyed a comfortable living for the last couple of decades, but during that time I've survived several layoffs and I can't help but feel that eventually my number will come up. Sylvia and I have planned carefully enough that we should be able to avoid homelessness, but the pace of technological change, climate change impacts, and potentially catastrophic political upheaval over the next couple of decades make the future extremely uncertain.
I'm very aware that I live a life of incredible privilege compared to 95 percent of the world, and it feels incredibly selfish to worry about our personal destiny when the fate of billions is at stake.
I wish I had more of Sylvia's confidence that everything will be okay. But I find it hard to be consistently optimistic.
On the other hand, there's always a chance that the forces of good will triumph over the sociopaths, or that the singularity will come and solve all our problems by means unimagined. Here's hoping...
Sunday, March 24, 2019
Film Review: Monte Walsh
So perhaps tonight was the perfect time to watch Monte Walsh (William A. Fraker, 1970), a movie obsessed with literal death, spiritual death, and the death of a way of life - the world moving on and leaving so many behind.
Monte Walsh, magnificently portrayed by Lee Marvin, is navigating his twilight years, reluctantly learning that the West as he knew it is dying, along with a livelihood he loved. He tries to adjust, but circumstances rob him of any hope of happiness; his world collapses around him, and he rides off to an uncertain fate.
I feel like I'm just a few years away from sharing Monte's fate. Right now, I'm very lucky; I've enjoyed a comfortable life and a rewarding career for some 25 years now, and theoretically I have another 15 years to go before retiring comfortably. My colleagues are brilliant, my manager superb, and I work in a thriving industry.
But 15 years is such a long time. Already, software is automating aspects of my white collar job; it's primitive now, but how long before advances in this kind of technology make communications professionals like me superfluous? Five years? Ten? Can I possibly make it the full 15 to retirement? Or will societal collapse make the point moot?
Marvin, as Monte, never gives up. He keeps his dignity. He remains a sad but inspirational figure by the time the credits roll.
But his world has moved on, nonetheless.
Friday, March 22, 2019
Apollo 11 Soars
Using glorious high definition footage left neglected for years in storage, Miller covers the mission from launch to recovery--not only the ships and the astronauts, but the ground crew, and in some ways most compellingly, the vast audience of ordinary people who came in their multitudes to line the beaches of Florida for launch day. The excitement on these faces is palpable; they know they are witnesses to history, that they are watching a moment that will, if we are fortunate, live on in our collective memory for as long as our species lasts.
Miller thankfully eschews voiceover narration; he lets the images, the astronauts, the ground crew and the rumble of rockets speak for themselves. Music is used sparingly at key moments--the launch, the landing, the return to Earth--with superb effect.
Even though the mission went without a hitch, there are still many moments of high drama, particularly during the landing on the moon, when a countdown clock shows the lunar lander is rapidly running out of fuel and a computer program alarm goes off multiple times in the last seconds before landing. There are a few moments of self-effacing or near-gallows humour here and there--my favourite is probably when Buzz Aldrin reminds himself not to lock the lunar lander door on his way out to the Moon's surface.
Watching Apollo 11 now, especially on a giant IMAX screen that provides some of the scope and scale necessary to give audiences a sense of the magnitude of the story, is necessarily bittersweet. As a human being, I'm proud that hundreds of thousands of people worked together to make possible the exploration of a strange new world, an astonishing feat that proved what human beings are truly capable of. And yet, I struggle to name an accomplishment of the same spirit-lifting grandeur. Perhaps we'll find it if we manage to save our civilization from our own folly in the fight against climate change.
On the other hand, even if our species destroys itself before its time, we can remain proud of those shining days in 1969 when we took our first steps beyond the cradle of Earth and, ever so briefly, explored the universe beyond.
Thursday, January 12, 2017
Bling from the Depths, Bling from the Skies
Alternatively, if we could master force field technology, we could surround the earth in a spherical force field and slowly decrease its size, gradually crushing our own atmosphere until the excess carbon is squeezed out. Imagine, a rainfall of diamonds that covers the whole planet!
Tuesday, November 29, 2016
Perspective
...well, it's made for some sleepless nights, and I mean that almost literally. I've had nightmares about the end of civilization with a frequency I haven't endured since I was a teenager during the Cold War. It's been a long time since I've been plagued by such persistent feelings of hopeless despair.
But over the last couple of days, even in the wake of a never-ending tide of bad news, I've somehow managed to find some perspective. While I don't seek to minimize the current tide of existential threats, it soothes me a little to recall that human beings have persevered and even triumphed over circumstances almost as dire. You only have to look back less than a century, to the generation that lived through the Great Depression, through the rise of fascism in Europe and totalitarian governments in Asia, ultimately climaxing in a war that killed millions upon millions of people and practically destroyed an entire continent's infrastructure.
I wish I weren't seeing so many parallels between the world situation now and that of the 1930s. It's not much solace, except in that there was a light at the end of that long, dark tunnel. The generations before us found the light because they fought for it, literally and figuratively, at staggering cost.
Those of us who believe in human rights, science, and generally working to end human misery, have some fighting ahead of us. We have to show that progressive solutions bring the greatest happiness to the largest number of people, and we have to use arguments that the disenfranchised and the fearful will understand and embrace.
We also have to recognize, much as it pains us, that there are people of ill will who fight dirty and without remorse for their own selfish interests. I don't advocate stooping to their level. But we do have to be ready to refute their lies and bad ideas with the facts and better ideas. And we have to do it with a passion that matches - exceeds - theirs.
2016 has proven that the march of progress can be halted and even reversed. It's happened before, and maybe it's happening now. Those of us who dream of a better world for everyone can't take its arrival for granted. We have to build it, even if others want to tear it all down.
Friday, June 12, 2015
Mad Masterpiece: The Fury of George Miller
Our species' hold on civilization is tenuous. On some level, every human being knows we live on the edge of disaster, but we carry on regardless, for it seems there's little any one person can do to forestall it. The Cold War may be over, but it's still possible that nuclear fire could rain down on our heads, and even if that never happens, there is still climate change, resource depletion, disease. The Fermi Paradox hints that few civilizations last; we may very well be doomed.
And yet we fight. Every day, millions of idealists toil for a better world, sacrificing lives of comfort and ease in order that they may help build a brighter tomorrow. And great artists, meanwhile, remind the rest of us how eagerly we drive, at breakneck speed, toward catastrophe.
George Miller is such an artist. Since 1979, when the first of his apocalyptic Mad Max movies was released, the Australian director has, over the course of four films, created a war-torn landscape of oil-starved, bloodthirsty savages at war with the tattered remnants of civilization. Miller's vision reaches its apex in the magnificent Mad Max: Fury Road.
The plot is simple. Mad Max, a lone road warrior haunted by the deaths of those he loves and his entire fallen civilization, is ambushed by a pack of car-worshipping cultists and turned into a "Blood Bag," a source of fuel for the radiation-diseased maniacs. He is ultimately, though incidentally, rescued by Furiosa, a former disciple of the cult leader, Immortan Joe; her mission now is to rescue a small group of women from Immortan Joe's clutches. A frenetic car chase begins, a long action sequence with only brief but critical pauses, followed by a final confrontation and the hope of not only redemption, but reclamation of what little good is left of the world.
A plot synopsis cannot do justice to Miller's richly textured world. The characters inhabit a landscape blasted to bare sand and rock by nuclear fire, a place where little grows, where pathetic wretches scrabble for poisoned water in dank swamps. Immortan Joe's followers and slaves live in one of the rare oases of relative beauty and wealth; they have access to fresh water and even grow crops. The elites of this damaged society are bleached pale, living "half lives" of slow radiation poisoning, bald, thin, lips chapped; they look like skeletons. They worship the chrome, symbolic of the heavily tricked-out cars they drive, spray-painting their lips silver before going into battle or performing a particularly dangerous stunt; each driver has his own Wheel, which he carries to his vehicle and snaps into place before driving off.
In the shattered, diseased world they inhabit, Immortan Joe and his crew chase the perfection of humans unblemished by radiation poisoning; they jealously hoard the few undiseased women, breeding them in the hopes of raising a generation untouched by mutation. But it rarely happens, and when one henchman's mouthless son is born and dies on the road, he cries out defiantly to the other road warriors:
"I had a brother. I had a baby brother, and he was perfect, and he was beautiful."
How many other screen villains are portrayed with this level of sympathy or understanding? Mad Max and Furiosa and their band of women are unquestionably the heroes of the film, but their struggles are all the more compelling because the villains they face have genuine, heartfelt motivations that anyone could understand. Yes, they're barbaric; yes, they enslave people; yes, they murder. But after the apocalypse, what choice do they have?
There's a brief respite in the long chase sequence. Max, Furiosa and the freed slaves encounter Furiosa's old family, a group of aging, kickass women. Resting by starlight, they watch as a satellite passes overhead. One of the elders points and explains what the satellite was for. I paraphrase:
"Back in the time of plenty, there was no war, there was no hunger. They just relaxed and watched their shows. Everybody had a show."
More than any other scene, this moment illustrates why Fury Road is an important film, because it shows us, in the starkest possible terms, how lucky we are and how much we have to lose. The great tragedy here is how the elder misinterprets or misremembers the past; we do indeed live in a time of plenty, and there should be no war and no hunger. But there is, because we are foolish and wasteful, fearful and selfish, and that's why we stand to lose it all, to stumble blindly into the abyss, into a world very much like the one Miller envisions.
It's delightful that this is a film driven by women. They have agency; they take the initiative, moving the plot forward, making the hard decisions. Mad Max himself is the catalyst for the story, but he exists almost outside it, a temporary sidekick to Furiosa and her valiant crew.
The film is also, it must be said, wildly entertaining. The action sequences are crisp, beautifully executed and edited, with incredibly imaginative setpieces enhanced by cinematography epic in scope and scale. The art direction is spectacular; the vehicles in this film are like characters themselves, particularly the rock-concert-on-wheels, a flamboyant contraption that includes massive stacks of speakers, a full percussion ensemble, and a flamethrowing electric guitar.
Max Mad: Fury Road stands so far above modern action movies that it creates a class of its own - the thinking person's blockbuster, the action message film. Long after this year's crop of "important" Oscar-bait movies is forgotten, Mad Max: Fury Road will withstand the test of time, remembered not only as a genre classic, but a film worthy of critical analysis for decades to come.
I'll be very surprised if this doesn't turn out to be the very best film of the year. It is triumphant. It is sublime. And with every gorgeous frame, it shows us how much beauty there is in the world, and how easily we could lose it all.