Back in December, Sylvia and I met Bruce and Leslie at Joey's for dinner. During our conversation, Bruce asked me if I thought I read 100 books a year - a goal Leslie was shooting for. Without really thinking about it, I shrugged and said, "Sure."
But since then, I've wondered. 100 books a year is about two books per week, roughly. And I don't have time to read as much as I used to. So for fun, I decided to track my reading in 2011. Here's what I've read so far:
A Disturbance of Fate (Mitchell J. Freedman, 2003): Alternate history novel about the presidency of Robert Kennedy.
Exegesis (Astro Teller, 1997): Epistolary by email between an emergent computer intelligence and the PhD student who accidentally designed it.
Geodesic Dreams (Gardner Dozois, 1992): Excellent short story collection from the accomplished SF editor.
Hell Can Wait (Theodore Judson, 2010): See my review here.
The Martian General's Daughter (Theodore Judson, 2008): Moving narrative describing the long, painful decline of technological civilization.
Player One (Douglas Coupland, 2010): The first fiction offering in the CBC's Massey Lecture Series. Interesting character study set during the chaos following a peak oil crisis.
Starbound (Joe Haldeman, 2010): Sequel to Haldeman's first-contact novel Marsbound.
Star Trek 365 (Paula Block, 2010): Given the number of books I've read about Star Trek, I was surprised that this thick, colourful behind-the-scenes tome still had some new stories and photographs to offer.
U.S.S. Enterprise Haynes Owners' Workshop Manual (Ben Robinson and Marcus Riley, 2010): Parodying the popular Haynes workshop manuals by creating one for the various Starships Enterprise should have produced a fascinating cultural oddity, but the lightweight execution leaves a lot to be desired. Fails to live up to its potential.
The World in 2050 (Laurence C. Smith, 2010): Study of the "four forces shaping civilization's northern future:" climate change, demographics, demand on natural resources, and globalization. Interesting for Albertans in that the book opens with a trip to Fort McMurray and a tour of the oil sands.
That's ten so far, about six weeks into the year. Looks like I'm on track to reach 100!
Showing posts with label Theodore Judson. Show all posts
Showing posts with label Theodore Judson. Show all posts
Sunday, February 13, 2011
Saturday, February 05, 2011
One Last Shot at Redemption: Theodore Judson's Hell Can Wait
Several years ago, I reviewed Theodore Judson's first SF novel, Fitzpatrick's War. In late 2010, Alberta's own Edge Publishing released Judson's latest work, Hell Can Wait, a comic fantasy of empathy and redemption.
Hell Can Wait is less layered and intricate than Fitzpatrick's War or The Martian General's Daughter, but it's also more hopeful.This is the tale of Maternus, a Roman soldier who spends centuries in Hell before being granted one final chance at salvation. Given the ability to read, command of the English language, and a set of tests to pass, Maturnus is thrust into 21st-century Colorado to learn how to control his violent rage and nurture the spark of empathy that gained him this final opportunity in the first place.
An angel, Mr. Worthy, and a demon, Banewill, follow Maturnus' progress, one hoping for the Roman's salvation, the other for his damnation. Long-suffering Banewill knows the odds are against him - after all, good always triumphs over evil in the end - but he gamely does his best to keep Maturnus in hell by increasing the difficulty of the Roman's challenges. Worthy agrees, perhaps because gaining entrance to Heaven shouldn't be easy.
The tasks? Maturnus must, for example, help love blossom between a bullied, overweight, introverted nerd and the most terrifying girl in school. He must help a bitter old woman find happiness in her dying years. And he must play the matchmaker between a forty-something eccentric and the librarian who's infatuated by the loser's best friend, a handsome poet. And all the while, Maturnus dreams of Maria, a slave girl he encountered just once, a girl who impressed him with her bravery, a girl who fanned the flames of Maturnus' inherent decency.
Maturnus is a smart guy, but his ancient background leaves him somewhat at sea when navigating 21st-century societal norms. His manner is blunt, but never deliberately unkind, and his status as an outsider helps him cut through the nonsense of modern human interaction to help people discover their own true worth. In seeking out his own redemption, Maturnus helps others find theirs.
Judson's dry wit and keen observational humour permeate the novel. Despite the high stakes, this is a very funny book. I laughed aloud at several passages, an uncommon experience for me. At one point, Maturnus goes out to the movies with his friends. Although not stated explicitly, it's clear they're watching Zack Snyder's 300, and Maturnus' reaction to the film is both amusing and a sly commentary on modern tastes.
Judson uses humour to underscore his main theme, the possibility of redemption for all, even those previously cast down to hell. In Judson's mythology, damnation and redemption are fluid; just as in life, good actions and bad in the afterlife earn reward and punishment. But on balance, the architects of the universe clearly favour forgiveness. Though people have their faults in both life and death, one is left with the impression that in the ultimate end, everything works out all right. It's an uplifting message for an uncertain era, especially coming from an author whose previous works have documented the slow decay of human civilization.
I'm frustrated that Judson hasn't found the commercial success or widespread acclaim he deserves. His characters are rich, his storytelling compelling, his prose straightforward but smooth. I'm grateful that Edge has given Judson another chance to succeed, and I highly recommend Hell Can Wait to anyone who enjoys science fiction, fantasy, or romance.
An angel, Mr. Worthy, and a demon, Banewill, follow Maturnus' progress, one hoping for the Roman's salvation, the other for his damnation. Long-suffering Banewill knows the odds are against him - after all, good always triumphs over evil in the end - but he gamely does his best to keep Maturnus in hell by increasing the difficulty of the Roman's challenges. Worthy agrees, perhaps because gaining entrance to Heaven shouldn't be easy.
The tasks? Maturnus must, for example, help love blossom between a bullied, overweight, introverted nerd and the most terrifying girl in school. He must help a bitter old woman find happiness in her dying years. And he must play the matchmaker between a forty-something eccentric and the librarian who's infatuated by the loser's best friend, a handsome poet. And all the while, Maturnus dreams of Maria, a slave girl he encountered just once, a girl who impressed him with her bravery, a girl who fanned the flames of Maturnus' inherent decency.
Maturnus is a smart guy, but his ancient background leaves him somewhat at sea when navigating 21st-century societal norms. His manner is blunt, but never deliberately unkind, and his status as an outsider helps him cut through the nonsense of modern human interaction to help people discover their own true worth. In seeking out his own redemption, Maturnus helps others find theirs.
Judson's dry wit and keen observational humour permeate the novel. Despite the high stakes, this is a very funny book. I laughed aloud at several passages, an uncommon experience for me. At one point, Maturnus goes out to the movies with his friends. Although not stated explicitly, it's clear they're watching Zack Snyder's 300, and Maturnus' reaction to the film is both amusing and a sly commentary on modern tastes.
Judson uses humour to underscore his main theme, the possibility of redemption for all, even those previously cast down to hell. In Judson's mythology, damnation and redemption are fluid; just as in life, good actions and bad in the afterlife earn reward and punishment. But on balance, the architects of the universe clearly favour forgiveness. Though people have their faults in both life and death, one is left with the impression that in the ultimate end, everything works out all right. It's an uplifting message for an uncertain era, especially coming from an author whose previous works have documented the slow decay of human civilization.
I'm frustrated that Judson hasn't found the commercial success or widespread acclaim he deserves. His characters are rich, his storytelling compelling, his prose straightforward but smooth. I'm grateful that Edge has given Judson another chance to succeed, and I highly recommend Hell Can Wait to anyone who enjoys science fiction, fantasy, or romance.
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