But it's not a true window into the past. Neither is a photograph, of course, but it's much closer than this.
Maybe one day we'll invent a time window that allows us to look into the past as it truly was, as in Clarke's The Light of Other Days. Wouldn't that be something...if we had the wisdom to allow our ancestors their privacy, perhaps restricting the use of time windows to only public events, or ones without people. Alas, unlikely on both scientific and societal grounds.
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Showing posts with label Arthur C. Clarke. Show all posts
Showing posts with label Arthur C. Clarke. Show all posts
Saturday, September 12, 2026
Granddad's Uncanny Valley
Restoring art, restoring photos, restoring buildings or furniture or people; no matter how skilled the technique, the original remains well and truly gone. I asked Gemini to fix an out-of-focus and damaged photo of Mom's dad, and it gave me this. It's not bad, I suppose; the image looks something like Granddad, and the book looks plausibly close to the one he was reading in the original photo.
Wednesday, December 31, 2025
Quality over Quantity in a Time of Troubles: Books I Read in 2025
At last, 2025 is over. I'd hoped to surpass 100 books this year, but other things became more important.
In 2025, I read
- 67 works of fiction and 17 works of non-fiction
- 39 science fiction novels, 17 mainstream novels, six Star Trek media tie-ins, and five fantasy novels
- 26 books by women and 58 books by men
- 42 books from the 2020s, 17 from the 2010s, nine from the 2000s, five from the 1990s, four from the 1980s, two from the 1970s, four from the 1960s, and one from the 1950s
COMMENTARY AND ANALYSIS
At last, 2025 is over. I'd hoped to surpass 100 books this year, but other things became more important.
- 67 works of fiction and 17 works of non-fiction
- 39 science fiction novels, 17 mainstream novels, six Star Trek media tie-ins, and five fantasy novels
- 26 books by women and 58 books by men
- 42 books from the 2020s, 17 from the 2010s, nine from the 2000s, five from the 1990s, four from the 1980s, two from the 1970s, four from the 1960s, and one from the 1950s
COMMENTARY AND ANALYSIS
For the first time in a long time, only a couple of books this year were re-reads for me. This wasn't an intentional choice, but in retrospect it seems to have left me open to some wonderful discoveries. Here are my favourite reads of the year, plus a disappointment or two:
I Who Have Never Known Men, by Jacqueline Harpman. 39 women and a girl are locked in an underground cage for years, then suddenly released to emerge to an emptied world, barren and inhospitable. Whatever calamity befell the world is left a mystery. A compelling rumination on the struggles of womanhood in hostile spaces, and a bleak commentary on human empathy--or the lack of it.
Titan, by Stephen Baxter. I've never been Baxter's biggest fan, but 2025 was the right year for me to finally finish his so-called "NASA trilogy." The book's political climate eerily mirrors the troubles we're facing today, and as the world turns inward, NASA has one more shot to perform some pioneering science and exploration--a do or die, one-way trip to Saturn's largest moon, Titan. The technical details of the mission are fascinating, especially set against the frightening backdrop of an American government sliding into theocratic fascism. No parallels to 2025 in this book from 1997! Even more compelling are the battle for survival on Titan itself and the speculative leaps made by novel's end.
Titan, by Stephen Baxter. I've never been Baxter's biggest fan, but 2025 was the right year for me to finally finish his so-called "NASA trilogy." The book's political climate eerily mirrors the troubles we're facing today, and as the world turns inward, NASA has one more shot to perform some pioneering science and exploration--a do or die, one-way trip to Saturn's largest moon, Titan. The technical details of the mission are fascinating, especially set against the frightening backdrop of an American government sliding into theocratic fascism. No parallels to 2025 in this book from 1997! Even more compelling are the battle for survival on Titan itself and the speculative leaps made by novel's end.
A Short Stay in Hell, by Steven L. Peck. So it turns out that when we die, unless we follow Zoroastrianism (the one true faith; who knew?) we go to hell. Hell is a library that contains every book that fits onto 410 pages, and if you find the one book that tells your life story--without any spelling errors, typos, or grammatical errors--you're free to leave. Unfortunately, every letter, number, and punctuation mark is randomly generated, which means that the vast, vast majority of the trillions and trillions and trillions of books in Hell is garbage. Your book exists, but the time required to find it would take longer than the age of our universe. Much longer. There's no torture in hell, and its residents are supplied with good food and comfortable quarters. But there's no entertainment other than chatting or having sex, and no one gets sick. Of course, people can hurt and even kill each other, but you always wake up fully healed. Practically speaking, you're trapped in an eternity of boredom. This book terrified me.
James, by Percival Everett. A retelling of Adventures of Huckleberry Finn from the perspective of Jim, the escaped slave befriended by Huck in Mark Twain's novel. Offers excellent perspective on the Black experience in white spaces--this is a rich novel, an angry novel, uncompromising in its critique of the world we've built.
Julia, by Sandra Newman. George Orwell's 1984 seen through the eyes of Julia, Winston Smith's lover. It's just as bleak and nauseating as Orwell's original story, given more dimension thanks to its new perspective. We even get to see the fall of Oceania, an event foreshadowed by 1984's afterword. Spoiler: the new regime may or may not be an improvement on the old regime.
James, by Percival Everett. A retelling of Adventures of Huckleberry Finn from the perspective of Jim, the escaped slave befriended by Huck in Mark Twain's novel. Offers excellent perspective on the Black experience in white spaces--this is a rich novel, an angry novel, uncompromising in its critique of the world we've built.
Julia, by Sandra Newman. George Orwell's 1984 seen through the eyes of Julia, Winston Smith's lover. It's just as bleak and nauseating as Orwell's original story, given more dimension thanks to its new perspective. We even get to see the fall of Oceania, an event foreshadowed by 1984's afterword. Spoiler: the new regime may or may not be an improvement on the old regime.
Exordia, by Seth Dickinson. The first couple of chapters led me to believe this novel was going to be comic. I was wildly wrong. Dickinson's story of alien invasion is one of the scariest, most visceral, and most exciting examples of the trope in years. A wonderful cast of characters, human and alien, take us on a thrilling rollercoaster ride. It's smart, fun, terrifying, and satisfying.
The Bridges of Madison County, by Robert James Waller. This is one of several books I read from Mom's collection after her passing. I wasn't expecting to enjoy this novel as much as I did, but I admit to tearing up by the end. A beautiful love story that captures the feeling of those special moments in time we know must be brief, but stay with us forever.
The Compound, by Aisling Rawle. 20 (quickly 19) young men and women play out a dystopian version of Big Brother against the backdrop of the world we might live in in just a few years--a catastrophically warming world with constant wildfires and resource shortages, civilization finally beginning to play the price of our greed and ignorance. The Compound is a thoughtful critique of consumerism, the male gaze, and violence--but it offers a thread of hope in its tale of resilience and reconciliation. Or, if not hope--then at least some grace.
The Rose Field, by Philip Pullman. I was enjoying the last of Pullman's Lyra Silvertongue novels until about three-quarters of the way through, when Pullman seems to lose focus and direction. The big action setpiece feels like it's been inspired by a video game or a poorly-run Dungeons & Dragons campaign, and the ending, well...I think the only word is anticlimactic. Although maybe ironic also fits, since a search to recapture Lyra's imagination seems to end in a rote critique of runaway progress--a topic handled with far more dexterity by The Compound, above.
The Bridges of Madison County, by Robert James Waller. This is one of several books I read from Mom's collection after her passing. I wasn't expecting to enjoy this novel as much as I did, but I admit to tearing up by the end. A beautiful love story that captures the feeling of those special moments in time we know must be brief, but stay with us forever.
The Compound, by Aisling Rawle. 20 (quickly 19) young men and women play out a dystopian version of Big Brother against the backdrop of the world we might live in in just a few years--a catastrophically warming world with constant wildfires and resource shortages, civilization finally beginning to play the price of our greed and ignorance. The Compound is a thoughtful critique of consumerism, the male gaze, and violence--but it offers a thread of hope in its tale of resilience and reconciliation. Or, if not hope--then at least some grace.
The Rose Field, by Philip Pullman. I was enjoying the last of Pullman's Lyra Silvertongue novels until about three-quarters of the way through, when Pullman seems to lose focus and direction. The big action setpiece feels like it's been inspired by a video game or a poorly-run Dungeons & Dragons campaign, and the ending, well...I think the only word is anticlimactic. Although maybe ironic also fits, since a search to recapture Lyra's imagination seems to end in a rote critique of runaway progress--a topic handled with far more dexterity by The Compound, above.
Prelude to Space, by Arthur C. Clarke. Clarke chose the perfect title for this one; it really is a prelude to the big space adventures we never get to see. Instead, Clarke covers the technical and bureaucratic challenges of getting men (of course men) into orbit. I found it interesting, but most readers will consider this very, very dry. Which it is.
I'm Thinking of Ending Things, Foe, and We Spread, by Iain Reid. Nothing is what it seems in Reid's work, and I love that. All three novels are creepy, atmospheric, heartbreaking, mysterious, and best left unspoiled. I ached deeply for all his poor doomed protagonists, trapped in worlds they never made.
Weird Medieval Guys, by Olivia Swarthout. Gorgeously designed, brilliantly illustrated, and hilarious, a balm for my battered nerves this year, a great gift from Leslie.
I'm Thinking of Ending Things, Foe, and We Spread, by Iain Reid. Nothing is what it seems in Reid's work, and I love that. All three novels are creepy, atmospheric, heartbreaking, mysterious, and best left unspoiled. I ached deeply for all his poor doomed protagonists, trapped in worlds they never made.
Weird Medieval Guys, by Olivia Swarthout. Gorgeously designed, brilliantly illustrated, and hilarious, a balm for my battered nerves this year, a great gift from Leslie.
The Gone World and Tomorrow and Tomorrow by Tom Sweterlitsch. I wish this guy would write more novels! Sweterlitsch combines deeply sympathetic characters with high-concept speculative fiction settings and challenges in a way that's unlike any other writer.
And finally, this year I read the seven existing novels in Matt Dinniman's Dungeon Crawler Carl series. Not only are they great fun, especially for anyone who's ever played a tabletop role playing game, the bad puns, crass humour, bloodthirsty violence, and existential dread are tempered by a truly empathetic and humanistic outlook; Carl, our protagonist, never gives in to despair or hate despite the cruelty of the alien invaders who have turned Earth into the latest of their sadistic interstellar reality show playgrounds, wiping out almost all life on the planet.
And finally, this year I read the seven existing novels in Matt Dinniman's Dungeon Crawler Carl series. Not only are they great fun, especially for anyone who's ever played a tabletop role playing game, the bad puns, crass humour, bloodthirsty violence, and existential dread are tempered by a truly empathetic and humanistic outlook; Carl, our protagonist, never gives in to despair or hate despite the cruelty of the alien invaders who have turned Earth into the latest of their sadistic interstellar reality show playgrounds, wiping out almost all life on the planet.
MONTH-BY-MONTH
January: 11The Dead Fathers Club (Matt Haig, 2006)
The Possession of Mr Cave (Matt Haig, 2008)
Notes on a Nervous Planet (Matt Haig, 2018)
Julia (Sandra Newman, 2023)
How to be Perfect (Michael Schur, 2022)
Tower of Glass (Robert Silverberg, 1970)
Light Raid (Connie Willis and Cynthia Felice, 1989)
Take a Look at the Five and Ten (Connie Willis, 2020)
Seasons of Light and Darkness (Michael A. Martin, 2014)
Golden State (Ben H. Winters, 2019)
Terra Incognita (Connie Willis, 2018)
February: 10
Some Desperate Glory (Emily Tesh, 2023)
The Art of Mike Grell Volume 1 (Mike Grell, Tom Monarch, and Jeff Messer, 2025)
Water Witch (Connie Willis and Cynthia Felice, 1982)
The Fall Risk (Abby Jiminez, 2025)
Promised Land (Connie Willis and Cynthia Felice, 1996)
The Armageddon Engine (James Swallow, 2024)
The You You Are: A Spiritual Biography of You (Ricken Lazlo Hale, 2022)
Vulcan’s Soul Book I: Exodus (Josepha Sherman and Susan Shwartz, 2004)
I Who Have Never Known Men (Jacqueline Harpman, 1995)
Shadow Play (James Swallow, 2024)
March
The Whole Man (John Brunner, 1967)
Titan (Stephen Baxter, 1997)
The Godwhale (T.J. Bass, 1974)
Star Trek: Lost to Eternity (Greg Cox, 2024)
April
American Housewife (Anita Abriel, 2025)
Exordia (Seth Dickinson, 2023)
Dungeon Crawler Carl (Matt Dinniman, 2020)
Carl’s Doomsday Scenario (Matt Dinniman, 2021)
The Dungeon Anarchist’s Cookbook (Matt Dinniman, 2021)
The Gate of the Feral Gods (Matt Dinniman, 2021)
May
The Butcher’s Masquerade (Matt Dinniman, 2022)
Thirteen Days: A Memoir of the Cuban Missile Crisis (Robert F. Kennedy, 1969)
June
The Eye of the Bedlam Bride (Matt Dinniman, 2023)
George Perez: Storyteller (Christopher Lawrence, 2006)
This Inevitable Ruin (Matt Dinniman, 2024)
July
Never Flinch (Stephen King, 2025)
James (Percival Everett, 2024)
The Enemy Within (Kristine Kathryn Rusch, 2014)
Rapport: Friendship, Solidarity, Communion, Empathy (Martha Wells, 2025)
White Eagle Speaks: Reflections of Lives and Passing Thoughts (Leonard Carriere, 2000)
Prairie Light (Courtney Milne, 1985)
Keith Langergraber: Theatre of the Exploding Sun (Liz Wylie, 2013)
Shadow of the Machine (Scott Harrison, 2015)
The More Things Change (Scott Pearson, 2014)
Christmas with Norman Rockwell (John Kirk, 1990)
The Professionals (Keith Langergraber, 2016)
The Adventure of the Demonic Ox (Lois McMaster Bujold, 2025)
August
Vulcan’s Soul Book II: Exiles (Josepha Sherman and Susan Shwartz, 2006)
The Making of The African Queen, or How I Went to Africa with Bogart, Bacall, and Huston and Almost Lost My Mind (Katherine Hepburn, 1987)
The Bridges of Madison County (Robert James Waller, 1992)
The End of the World as We Know It (Christopher Golden, 2025)
A Short Stay in Hell (Steven L. Peck, 2012)
When the Moon Hits Your Eye (John Scalzi, 2025)
September
I Hope This Finds You Well (Natalie Sue, 2024)
The Gone World (Tom Sweterlitsch, 2018)
Tomorrow and Tomorrow (Tom Sweterlitsch, 2014)
Dominion (C.J. Sansom, 2012)
Not Quite by the Book (Julie Hatcher, 2025)
The Shattered Peace (John Scalzi, 2025)
The Art of Fantastic Four (John Lind, 2025)
A New History of the Future in 100 Objects: A Fiction (Adrian Hon, 2020)
October
3 Days, 9 Months, 27 Years (John Scalzi, 2025)
The Intergalactic Interloper (Delas Heras, 2020)
Best of All Worlds (Kenneth Oppel, 2025)
Back to the Future: A Visual History (Michael Klastorin, Randal Atamaniuk, 2015)
Weird Medieval Guys (Olivia Swarthout, 2023)
Final Orbit (Chris Hadfield, 2025)
Silver Screen Fiend (Patton Oswalt, 2015)
I’m Thinking of Ending Things (Iain Reid, 2016)
Foe (Iain Reid, 2018)
We Spread (Iain Reid, 2022)
November
Prelude to Space (Arthur C. Clarke, 1951)
Assassins from Tomorrow (Peter Heath, 1967)
The Productions of Time (John Brunner, 1967)
The Collected Essex County (Jeff Lemire, 2009)
The Rose Field (Philip Pullman, 2025)
December
Testimony of Mute Things (Lois McMaster Bujold, 2025)
The Compound (Aisling Rawle, 2025)
Ten Thousand Light Years from Okay (Tracy Dobmeier and Wendy Katzman, 2025)
The Witch Doesn’t Burn in This One (Amanda Lovelace, 2018)
The Mermaid’s Voice Returns in This One (Amanda Lovelace, 2019)
Machines Like Me (Ian McEwan, 2025)
Gold Dust (Catherine Asaro, 2025)
And so ends 2025. Check out Bruce's list, and now you can see what Leslie was reading, listening to, and experiencing in 2025.
Labels:
Arthur C. Clarke,
Books,
Catherine Asaro,
Chris Hadfield,
Connie Willis,
Fantasy,
Iain Reid,
John Scalzi,
Kenneth Oppel,
Martha Wells,
Matt Dinniman,
Matt Haig,
Philip Pullman,
Romance,
science fiction,
Star Trek,
Stephen King
Tuesday, December 31, 2019
Books I Read in 2019
For the first time since 2016, I read more books this year than last, though I still fell short of the 123 books I read in 2017 and my record of 135 the year previous. I read 103 books in 2019, short of my revised target of 136.
Here's how my year in books broke down:
Books by Women: 39
Books by Men: 64
I read more women this year than last, not quite approaching parity, but getting closer with a roughly 60/40 men to women ratio.
Nonfiction: 8
Fiction: 95
I read less nonfiction this year than last, but more than made up for the deficit by reading more fiction.
Genre
Fantasy: 10
Mainstream: 12
Science Fiction: 55
Star Trek: 18
My genre breakdown was roughly the same this year as last year.
Top Authors
James S.A. Corey: 15
Isaac Asimov: 8
Jo Walton: 6
Arthur C. Clarke: 5
Martha Wells: 5
Alan Dean Foster: 4
Vonda McIntyre: 4
John M. Ford: 3
Nancy Kress: 3
Lois McMaster Bujold: 2
Peter David: 2
Jack McDevitt: 2
Elizabeth Mitchell: 2
Garfield and Judith Reeves-Stevens: 2
Robert Silverberg: 2
Olaf Stapledon: 2
I wasn't much interested in the Expanse series by James S.A. Corey (a pen name), but on a whim I tried out the first of the novels early this year and found myself quite caught up by the characters and their adventures. I wound up reading the entire series, or at least as much as has yet been published; there's one more novel coming out next year.
As part of my effort to clear some of my backlog of classic SF, I read a handful of Asimov and Clarke novels, ticking off a few Hugo and Nebula winners along the way. Jo Walton continues to impress; I've now read almost everything she's published, and I look forward to more. The same goes for Martha Wells and her Murderbot Diaries; Leslie tipped me off to these delightful novellas, and I look forward to reading the first novel in the series in 2020.
Other highlights this year included The Testaments, Margaret Atwood's excellent sequel to The Handmaid's Tale; Dashiell Hammett's unusual hard-boiled thriller, The Glass Key; the disturbing Less Than Zero, by Bret Easton Ellis; Shaft, by Ernest Tidyman; and Little Women, by Louisa May Alcott.
Books by Decade
1860s: 1
1930s: 3
1950s: 5
1960s: 4
1970s: 7
1980s: 18
1990s: 5
2000s: 7
2010s: 52
As usual, most of the books I read in 2019 came out within the last decade; the 1980s was a distant second.
Here's the complete list of books I read in 2019:
January: 14
Rejoice, a Knife to the Heart (Steven Erikson, 2018)
The Naked Sun (Isaac Asimov, 1956)
Quantum Space (Douglas Phillips, 2018)
The Robots of Dawn (Isaac Asimov, 1983)
Pebble in the Sky (Isaac Asimov, 1950)
Red Moon (Kim Stanley Robinson, 2018)
Knife Children (Lois McMaster Bujold, 2019)
All Systems Red (Martha Wells, 2017)
The Future of Work: Compulsory (Martha Wells, 2018)
Artificial Condition (Martha Wells, 2018)
A Day in the Life of Marlon Bundo (Jill Twiss, 2018)
Rogue Protocol (Martha Wells, 2018)
Exit Strategy (Martha Wells, 2018)
The Stars, Like Dust (Isaac Asimov, 1950)
February: 3
Fade In: From Idea to Final Draft (Michael Piller, 2005)
The Currents of Space (Isaac Asimov, 1952)
The Rise and Fall of D.O.D.O. (Neal Stephenson and Nicole Galland, 2017)
March: 5
No Short Roads to Flin Flon (Jack Frey, 2012)
Tomorrow’s Kin (Nancy Kress, 2017)
If Tomorrow Comes (Nancy Kress, 2018)
Terran Tomorrow (Nancy Kress, 2018)
Words on the Rocks: Collected Prose and Poetry of Flin Flon Writers (Alex McGilvery, 2016)
April: 4
Batmobile Cutaways (Richard Jackson, 2018)
Robots and Empire (Isaac Asimov, 1985)
Nine Tomorrows (Isaac Asimov, 1959)
A Time of Changes (Robert Silverberg, 1971)
May: 6
Nightfall and Other Stories (Isaac Asimov, 1969)
The Moon and the Sun (Vonda McIntyre, 1997)
The Healer’s War (Elizabeth Anne Scarborough, 1988)
2001: A Space Odyssey (Arthur C. Clarke, 1968)
2010: Odyssey Two (Arthur C. Clarke, 1982)
The Long Sunset (Jack McDevitt, 2018)
June: 12
2061: Odyssey Three (Arthur C. Clarke, 1987)
3001: The Final Odyssey (Arthur C. Clarke, 1997)
The Captain’s Oath (Christopher L. Bennett, 2019)
After the Flames (Elizabeth Mitchell, 1985)
The Butcher of Anderson Station (James S.A. Corey, 2011)
Octavia Gone (Jack McDevitt, 2019)
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards (Jo Walton, 2018)
Starlings (Jo Walton, 2018)
Leviathan Wakes (James S.A. Corey, 2011)
Strange New Worlds 2016 (Various, 2016)
Harry Potter and the Methods of Rationality (Eliezer Yudkowsky, 2015)
Drive (James S.A. Corey, 2012)
July: 11
Caliban’s War (James S.A. Corey, 2012)
Our Hero: Superman on Earth (Tom De Haven, 2010)
Odd John (Olaf Stapledon, 1935)
Deadly Waters (Theodore Judson, 2016)
The Worlds of TSR (Marlys Heeszel, 1994)
The Art of the Advanced Dungeons & Dragons Fantasy Game (Mary Kirchoff, 1989)
The Art of Dragon Magazine (Jean Blashfield Black, 1988)
The Art of the Dungeons & Dragons Fantasy Game (Margaret Weis, 1985)
A Fall of Moondust (Arthur C. Clarke, 1961)
Lent (Jo Walton, 2019)
Imzadi (Peter David, 1998)
August: 12
Imzadi Forever (Peter David, 2003)
The Book of Skulls (Robert Silverberg, 1972)
The Orphans of Raspay (Lois McMaster Bujold, 2019)
Spock’s World (Diane Duane, 1989)
Sand and Stars (A.C. Crispin, 2004)
Chthon (Piers Anthony, 1967)
Star Trek: The Wrath of Khan (Vonda McIntyre, 1982)
Star Trek III: The Search for Spock (Vonda McIntyre, 1984)
Duty, Honor, Redemption (Vonda McIntyre, 2004)
Memory Prime (Garfield and Judith Reeves-Stevens, 1988)
Worlds in Collision (Garfield and Judith Reeves-Stevens, 2003)
The King’s Peace (Jo Walton, 2000)
September: 10
The King’s Name (Jo Walton, 2002)
Star Trek Log One (Alan Dean Foster, 1974)
The Churn (James S.A. Corey, 2014)
Gods of Risk (James S.A. Corey, 2012)
The Prize in the Game (Jo Walton, 2003)
Abaddon’s Gate (James S.A. Corey, 2013)
The Vital Abyss (James S.A. Corey, 2015)
The Institute (Stephen King, 2019)
Cibola Burn (James S.A. Corey, 2014)
Star Trek Log Two (Alan Dean Foster, 1974)
October: 5
Nemesis Games (James S.A. Corey, 2015)
Babylon’s Ashes (James S.A. Corey, 2016
Star Trek Log Three (Alan Dean Foster, 1974)
Strange Dogs (James S.A. Corey, 2017)
Persepolis Rising (James S.A. Corey, 2017)
November: 10
Tiamat’s Wrath (James S.A. Corey, 2019)
False Knees: An Illustrated Guide to Animal Behavior (Joshua Barkman, 2019)
Collateral Damage (David Mack, 2019)
The Final Reflection (John M. Ford, 1984)
Less Than Zero (Bret Easton Ellis, 1985)
The Testaments (Margaret Atwood, 2019)
Star Trek Log Four (Alan Dean Foster, 1975)
The Pursuit of William Abbey (Claire North, 2019)
The Andromeda Evolution (Daniel F. Wilson, 2019)
As Big as the Ritz (Gregory Benford, 1987)
December: 11
Fugue State (John M. Ford, 1990)
Under the Wheel (Elizabeth Mitchell, 1987)
Shaft (Ernest Tidyman, 1970)
This Is How You Lose the Time War (Amal el-Mohtar and Max Gladstone, 2019)
Auberon (James S.A. Corey, 2019)
Last and First Men (Olaf Stapledon, 1930)
How Much for Just the Planet? (John M. Ford, 1987)
Famous Men Who Never Lived (K Chess, 2019)
Little Women (Louisa May Alcott, 1868)
The Glass Key (Dashiell Hammett, 1931)
Anatomy of a Metahuman (S.D. Perry and Matthew K. Manning, 2018)
Summary
While I'm glad I read more women this year, and that I read more this year than last, I'm still disappointed by my failure to approach 150 a year, something I'm sure, though I can't say for certain, I used to accomplish regularly in my teens and 20s. Did I have more time then, or am I just getting older and slower?
I also need to take on more challenging work, or at least more mainstream material. I love SF, but a steady diet of it to the exclusion of all else isn't healthy.
Maybe 2020 will be my year. Happy reading!
Here's how my year in books broke down:
Books by Women: 39
Books by Men: 64
I read more women this year than last, not quite approaching parity, but getting closer with a roughly 60/40 men to women ratio.
Nonfiction: 8
Fiction: 95
I read less nonfiction this year than last, but more than made up for the deficit by reading more fiction.
Genre
Fantasy: 10
Mainstream: 12
Science Fiction: 55
Star Trek: 18
My genre breakdown was roughly the same this year as last year.
Top Authors
James S.A. Corey: 15
Isaac Asimov: 8
Jo Walton: 6
Arthur C. Clarke: 5
Martha Wells: 5
Alan Dean Foster: 4
Vonda McIntyre: 4
John M. Ford: 3
Nancy Kress: 3
Lois McMaster Bujold: 2
Peter David: 2
Jack McDevitt: 2
Elizabeth Mitchell: 2
Garfield and Judith Reeves-Stevens: 2
Robert Silverberg: 2
Olaf Stapledon: 2
I wasn't much interested in the Expanse series by James S.A. Corey (a pen name), but on a whim I tried out the first of the novels early this year and found myself quite caught up by the characters and their adventures. I wound up reading the entire series, or at least as much as has yet been published; there's one more novel coming out next year.
As part of my effort to clear some of my backlog of classic SF, I read a handful of Asimov and Clarke novels, ticking off a few Hugo and Nebula winners along the way. Jo Walton continues to impress; I've now read almost everything she's published, and I look forward to more. The same goes for Martha Wells and her Murderbot Diaries; Leslie tipped me off to these delightful novellas, and I look forward to reading the first novel in the series in 2020.
Other highlights this year included The Testaments, Margaret Atwood's excellent sequel to The Handmaid's Tale; Dashiell Hammett's unusual hard-boiled thriller, The Glass Key; the disturbing Less Than Zero, by Bret Easton Ellis; Shaft, by Ernest Tidyman; and Little Women, by Louisa May Alcott.
Books by Decade
1860s: 1
1930s: 3
1950s: 5
1960s: 4
1970s: 7
1980s: 18
1990s: 5
2000s: 7
2010s: 52
As usual, most of the books I read in 2019 came out within the last decade; the 1980s was a distant second.
Here's the complete list of books I read in 2019:
January: 14
Rejoice, a Knife to the Heart (Steven Erikson, 2018)
The Naked Sun (Isaac Asimov, 1956)
Quantum Space (Douglas Phillips, 2018)
The Robots of Dawn (Isaac Asimov, 1983)
Pebble in the Sky (Isaac Asimov, 1950)
Red Moon (Kim Stanley Robinson, 2018)
Knife Children (Lois McMaster Bujold, 2019)
All Systems Red (Martha Wells, 2017)
The Future of Work: Compulsory (Martha Wells, 2018)
Artificial Condition (Martha Wells, 2018)
A Day in the Life of Marlon Bundo (Jill Twiss, 2018)
Rogue Protocol (Martha Wells, 2018)
Exit Strategy (Martha Wells, 2018)
The Stars, Like Dust (Isaac Asimov, 1950)
February: 3
Fade In: From Idea to Final Draft (Michael Piller, 2005)
The Currents of Space (Isaac Asimov, 1952)
The Rise and Fall of D.O.D.O. (Neal Stephenson and Nicole Galland, 2017)
March: 5
No Short Roads to Flin Flon (Jack Frey, 2012)
Tomorrow’s Kin (Nancy Kress, 2017)
If Tomorrow Comes (Nancy Kress, 2018)
Terran Tomorrow (Nancy Kress, 2018)
Words on the Rocks: Collected Prose and Poetry of Flin Flon Writers (Alex McGilvery, 2016)
April: 4
Batmobile Cutaways (Richard Jackson, 2018)
Robots and Empire (Isaac Asimov, 1985)
Nine Tomorrows (Isaac Asimov, 1959)
A Time of Changes (Robert Silverberg, 1971)
May: 6
Nightfall and Other Stories (Isaac Asimov, 1969)
The Moon and the Sun (Vonda McIntyre, 1997)
The Healer’s War (Elizabeth Anne Scarborough, 1988)
2001: A Space Odyssey (Arthur C. Clarke, 1968)
2010: Odyssey Two (Arthur C. Clarke, 1982)
The Long Sunset (Jack McDevitt, 2018)
June: 12
2061: Odyssey Three (Arthur C. Clarke, 1987)
3001: The Final Odyssey (Arthur C. Clarke, 1997)
The Captain’s Oath (Christopher L. Bennett, 2019)
After the Flames (Elizabeth Mitchell, 1985)
The Butcher of Anderson Station (James S.A. Corey, 2011)
Octavia Gone (Jack McDevitt, 2019)
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards (Jo Walton, 2018)
Starlings (Jo Walton, 2018)
Leviathan Wakes (James S.A. Corey, 2011)
Strange New Worlds 2016 (Various, 2016)
Harry Potter and the Methods of Rationality (Eliezer Yudkowsky, 2015)
Drive (James S.A. Corey, 2012)
July: 11
Caliban’s War (James S.A. Corey, 2012)
Our Hero: Superman on Earth (Tom De Haven, 2010)
Odd John (Olaf Stapledon, 1935)
Deadly Waters (Theodore Judson, 2016)
The Worlds of TSR (Marlys Heeszel, 1994)
The Art of the Advanced Dungeons & Dragons Fantasy Game (Mary Kirchoff, 1989)
The Art of Dragon Magazine (Jean Blashfield Black, 1988)
The Art of the Dungeons & Dragons Fantasy Game (Margaret Weis, 1985)
A Fall of Moondust (Arthur C. Clarke, 1961)
Lent (Jo Walton, 2019)
Imzadi (Peter David, 1998)
August: 12
Imzadi Forever (Peter David, 2003)
The Book of Skulls (Robert Silverberg, 1972)
The Orphans of Raspay (Lois McMaster Bujold, 2019)
Spock’s World (Diane Duane, 1989)
Sand and Stars (A.C. Crispin, 2004)
Chthon (Piers Anthony, 1967)
Star Trek: The Wrath of Khan (Vonda McIntyre, 1982)
Star Trek III: The Search for Spock (Vonda McIntyre, 1984)
Duty, Honor, Redemption (Vonda McIntyre, 2004)
Memory Prime (Garfield and Judith Reeves-Stevens, 1988)
Worlds in Collision (Garfield and Judith Reeves-Stevens, 2003)
The King’s Peace (Jo Walton, 2000)
September: 10
The King’s Name (Jo Walton, 2002)
Star Trek Log One (Alan Dean Foster, 1974)
The Churn (James S.A. Corey, 2014)
Gods of Risk (James S.A. Corey, 2012)
The Prize in the Game (Jo Walton, 2003)
Abaddon’s Gate (James S.A. Corey, 2013)
The Vital Abyss (James S.A. Corey, 2015)
The Institute (Stephen King, 2019)
Cibola Burn (James S.A. Corey, 2014)
Star Trek Log Two (Alan Dean Foster, 1974)
October: 5
Nemesis Games (James S.A. Corey, 2015)
Babylon’s Ashes (James S.A. Corey, 2016
Star Trek Log Three (Alan Dean Foster, 1974)
Strange Dogs (James S.A. Corey, 2017)
Persepolis Rising (James S.A. Corey, 2017)
November: 10
Tiamat’s Wrath (James S.A. Corey, 2019)
False Knees: An Illustrated Guide to Animal Behavior (Joshua Barkman, 2019)
Collateral Damage (David Mack, 2019)
The Final Reflection (John M. Ford, 1984)
Less Than Zero (Bret Easton Ellis, 1985)
The Testaments (Margaret Atwood, 2019)
Star Trek Log Four (Alan Dean Foster, 1975)
The Pursuit of William Abbey (Claire North, 2019)
The Andromeda Evolution (Daniel F. Wilson, 2019)
As Big as the Ritz (Gregory Benford, 1987)
December: 11
Fugue State (John M. Ford, 1990)
Under the Wheel (Elizabeth Mitchell, 1987)
Shaft (Ernest Tidyman, 1970)
This Is How You Lose the Time War (Amal el-Mohtar and Max Gladstone, 2019)
Auberon (James S.A. Corey, 2019)
Last and First Men (Olaf Stapledon, 1930)
How Much for Just the Planet? (John M. Ford, 1987)
Famous Men Who Never Lived (K Chess, 2019)
Little Women (Louisa May Alcott, 1868)
The Glass Key (Dashiell Hammett, 1931)
Anatomy of a Metahuman (S.D. Perry and Matthew K. Manning, 2018)
Summary
While I'm glad I read more women this year, and that I read more this year than last, I'm still disappointed by my failure to approach 150 a year, something I'm sure, though I can't say for certain, I used to accomplish regularly in my teens and 20s. Did I have more time then, or am I just getting older and slower?
I also need to take on more challenging work, or at least more mainstream material. I love SF, but a steady diet of it to the exclusion of all else isn't healthy.
Maybe 2020 will be my year. Happy reading!
Labels:
Arthur C. Clarke,
Books,
Fantasy,
Isaac Asimov,
Leslie V.,
Lois McMaster Bujold,
Margaret Atwood,
science fiction
Friday, June 16, 2017
Friday, January 01, 2010
Happy New Year!
2010 may not have quite the scientifictional ring as 2001 did, but thanks to Arthur C. Clarke it does possess some small degree of mythic power. While we're still a long ways away from sending people to Jupiter, I do have high hopes that new technology will benefit humanity in the teens. In the meantime, I'm still waiting for: - Flying cars
- Jetpacks
- Artificial Intelligence
- Genetic Engineering
- Nanotechnology
- Giant 1950s-style rockets (i.e., smooth and silvery, with fins) blasting to other worlds
- Ray guns (set to stun, of course)
- Cooler robots
- First contact with extraterrestrial life
I guess news of water on the moon and the regular discovery of cool new exoplanets will tide me over for a while. Enjoy what's sure to be another scientifictional decade, everyone.
Thursday, September 25, 2003
Special Guest Blagh: Susan Shyluk
Blahg reader Susan Shyluk responded to my David Bowie blahg, and has kindly given me permission to post her comments here:
"Hi Earl,
I have been a bit behind in reading your blog, and I finally caught up. I really enjoy reading it, you have been doing some really great writing.
When I read about how you attended the Bowie concert I thought of something I would like to share with you. You mentioned that most of these gatherings are almost always motivated by a desire for money, so I wanted to share with you one I know of that isn't. Where I work we have a room where hospitals, schools and communities can teleconference in groups. Areas all over BC are connected with each other for educational sessions available for staff, and as you may suspect it costs our hospital money for everyone to
attend.
Just recently some doctors have made a wonderful donation of personal conference time to isolated patients. The hospital I work at is a centre for maternity care in the province. We often have pregnant women who are on bedrest for months. Some are separated from their families for the entire time because they live so far away from Vancouver. Because of the donation, we are able to arrange for these women to go on a stretcher to the conference room and live connect with their families who in turn have gone to a similar conference room close to home.
Every day I learn about something like this I am in awe how significantly things are changing. This last weekend I attended a youth conference (I fit the age category of under 35 by 23 days) and I am pleased to see that the new generation has taken this is stride. It makes me wonder if humanity is heading towards the dream that Gene Roddenberry expressed in Star Trek.
Keep on blahgging! Susan."
Thanks, Susan. I found your story quite uplifting; I'm glad you shared it.
Susan's husband Jeff notes that SF author and visionary futurist Arthur C. Clarke should be mentioned, since it was he that originally came up with the idea of communications satellites, a technology without which Bowie's simulcast would have been impossible. So hats off to Sir Arthur, and to everyone who dreams of a better tomorrow.
"Hi Earl,
I have been a bit behind in reading your blog, and I finally caught up. I really enjoy reading it, you have been doing some really great writing.
When I read about how you attended the Bowie concert I thought of something I would like to share with you. You mentioned that most of these gatherings are almost always motivated by a desire for money, so I wanted to share with you one I know of that isn't. Where I work we have a room where hospitals, schools and communities can teleconference in groups. Areas all over BC are connected with each other for educational sessions available for staff, and as you may suspect it costs our hospital money for everyone to
attend.
Just recently some doctors have made a wonderful donation of personal conference time to isolated patients. The hospital I work at is a centre for maternity care in the province. We often have pregnant women who are on bedrest for months. Some are separated from their families for the entire time because they live so far away from Vancouver. Because of the donation, we are able to arrange for these women to go on a stretcher to the conference room and live connect with their families who in turn have gone to a similar conference room close to home.
Every day I learn about something like this I am in awe how significantly things are changing. This last weekend I attended a youth conference (I fit the age category of under 35 by 23 days) and I am pleased to see that the new generation has taken this is stride. It makes me wonder if humanity is heading towards the dream that Gene Roddenberry expressed in Star Trek.
Keep on blahgging! Susan."
Thanks, Susan. I found your story quite uplifting; I'm glad you shared it.
Susan's husband Jeff notes that SF author and visionary futurist Arthur C. Clarke should be mentioned, since it was he that originally came up with the idea of communications satellites, a technology without which Bowie's simulcast would have been impossible. So hats off to Sir Arthur, and to everyone who dreams of a better tomorrow.
Labels:
Arthur C. Clarke,
Guest Bloggers,
Politics,
public health care,
science,
Star Trek
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