Twin Peaks Shadow Box

 Tonight I filled a shadow box with a few of the Twin Peaks items I've collected over the years. 

Give Yourself a Present

A few years ago, Sean gave me this Twin Peaks print for Christmas or my birthday; I don't remember which. It was created by an Albertan artist, and it captures an iconic moment from Twin Peaks, one of my very favourite works of art. Last month, I finally took it in to have it framed. I picked it up yesterday and hung it on my wall today, and I think it looks gorgeous. 
 

St. Elseworld

Someone set him up the bomb.

 "Family Feud" is the 15th episode of the fourth season of St. Elsewhere. It's also the episode that finally convinced me the writers are having fun with their audience and the television format, and that the famous twist at the series' end really doesn't come out of left field. 

The episode begins with Doctor Robert Caldwell (Mark Harmon) returning from vacation. He's met at St. Eligius by Doctor Elliot Axelrod (Stephen Furst), who briefs him about the goings-on at the hospital in Caldwell's absence:

• The gift shop was blown up--the second explosion on the show in two days, and Doctor Philip Chandler (Denzel Washington) was injured in both explosions
• Doctor Jack "Boomer" Morrison slipped on vomit and badly injured his knee
• The John Doe with amnesia regained his memory

And those are just some of the highlights. In the episode before this one, there's a cute exchange referencing Doctor Chandler's misfortune:

"Pretty rare for someone to be injured by two separate explosions in two days!"
"It's pretty rare for someone to be present at two separate explosions in two days." 

Later, the crutch-dependent Doctor Morrison meets his ex-girlfriend, Clancy Williams (Helen Hunt) at the hospital; she's been helping take care of Boomer's son while he recuperates from his injury. In a private moment, Doctor Morrison admits to Clancy, 

"I can't stop thinking about you...dreaming about being together..." 

Clancy rebuffs him. But later, Doctor Wayne Fiscus (Howie Mandel) uses the exact same language in an effort to get back together with his ex-fiance, Mona Polito (Leah Ayres). And then, a couple of scene later, Clancy says the same thing to Wayne! 

While all this is going on, Doctor Caldwell learns that he has AIDS, thanks to a blood test taken as a precursor to scar removal surgery. A few episodes prior, the handsome Doctor Caldwell was slashed in the face by a disturbed young woman he'd picked up on that selfsame vacation. It's not directly stated, but given Caldwell's comments..."Maybe I deserve this..." in reference to his habitual sleeping around, I feel like we, the audience, are meant to imagine that the knife used in the slashing was perhaps contaminated with infected blood, perhaps from the woman who assaulted him. Or maybe not, but it feels like a bit of dramatic irony the writers enjoy--the handsome plastic surgeon not only scarred by a scalpel, but doomed by it. 

Meanwhile, several members of an influential family, the Endicotts, clearly modelled after the Rockefellers or the Kennedys are at the hospital visiting their matriarch, the kindly grandmother undergoing open heart surgery to extend their life. The family is burdened with their fame and fortune and the responsibilities that come with it, three generations at odds with each other. 

Doctor Axelrod, not at all a part of these proceedings, is tending to a strange, angry patient who reacts violently to Axelrod's tests. At one point, the patient growls "You ever wonder why it's always you?" He delivers the line with eerie precision, looking straight into Axelrod's eyes, as if knowing that Axelrod is well-known for saying "Why me?" when he gets saddled with the worst cases. 

A few minutes later, Wayne's ex-fiancee Mona runs into Doctor Morrison in the hallway and confesses that she's long had a crush on him . . . and she says . . . 

"I can't stop thinking about you . . . dreaming about being together." 

At this point I thought I must have been hallucinating, but I went reviewed each scene, and yes, the phrase really is used four times by four different characters--each infatuated by the other's ex-partner. It's farcical, the kind of thing that could only happen in an invented world. 

It all comes to a head during the temporal intersection of three events: Doctor Craig is performing the heart operation on the Endicott patriarch, the Endicott father and son/grandson are praying together for their mother/grandmother's health while discussing their political destinies, and off-duty doctors are celebrating Doctor Morrison's birthday.

The operation ends not with tragedy, but a near-miss; the matriarch almost dies, but she pulls through. Wayne and Boomer mutually agree to pursue their exes with no hard feelings. But the women suddenly find that they're once again attracted to the men they broke up with. 

And in the chapel, the deranged man that was being treated by the luckless Doctor Axelrod walks in and assassinates the matriarch's son, the man who had been destined as the next major presidential candidate. A harrowing action sequence follows, and of course poor traumatized Axelrod and recently-bombed Chandler are the doctors who try and fail to save him. 

"Family Feud" is the best example yet of the show's creators winking at the audience that this is more than a straight hospital drama; it's an exploration of the soap opera genre, seeing to what heights of absurdity they can reach while still retaining the facade of a reasonably grounded work of art. 

Naturally, this is my favourite episode so far. It makes me feel like the world of St. Elsewhere is a close neighbour to the world of Twin Peaks. 

Invitation to Consider Invitation to Love

During the first season of Twin Peaks, we see several characters watching Invitation to Love, a soap opera that seems as crazed and histrionic as Twin Peaks itself can be. This gave me a thought today: If the characters in Twin Peaks watch Invitation to Love, do the characters in Invitation to Love watch Twin Peaks? 

In real life, Mark Frost took the helm for the Invitation to Love sequences, all shot over the course of one day for later insertion into Twin Peaks. Reportedly, co-creator David Lynch didn't like Frost's overt parody of the soap opera genre, so the device was allowed to fade out. It's too bad; it's a nicely Shakespearean conceit, and I would have loved to see it return in, well, The Return. 

Back to the meta question: The answer, for me, is yes, Jade and Montana and the others are just as enthralled with the drama of Twin Peaks as the people of Twin Peaks (the town) are with the world of Invitation to Love. The symmetry is just too perfect to ignore. 

What brought this question to mind today? I stumbled across Nestflix, a website dedicated to shows-within-shows. According to Nestflix, Invitation to Love ran for 10 seasons! 

Cole Position

When we got together to work on some estate stuff this morning, Sean presented me with an early birthday present: a grab bag of carefully created knick-knacks designed to appeal to my taste. My favourite item was this little statue of David Lynch as the FBI's Gordon Cole from Twin Peaks. He now occupies a place of honour in our theatre room. 
 

Doctor Empathy, M.D.

 While Sylvia and I were watching The Pitt a couple of weeks ago, a demented idea popped into my head. 

Imagine an emergency room doctor who never learned how to be dispassionate, how to remain composed and professional when faced with the daily horrors of the ER. This hypothetical doctor can hold his emotions in check for the first few minutes of diagnosis and treatment, but then he breaks down in tears and has to complete his work while sobbing brokenly, whether he's treating a broken toe or a mortal gunshot wound. 

In a real-world setting, I would expect that such a doctor would be eventually dismissed for his effect on morale--both patient morale and the morale of everyone else in the ER. 

But imagine further that this emotional doctor also happens to be a preternaturally gifted genius who saves people in even the most desperate medical circumstances. Time after time, he saves patients that no one else could have saved. Once, his colleagues called him Doctor, Empathy, M.D., with the M.D. standing for "Mucho Depressing" instead of "Medical Doctor." But now, they see him with a mixture of bewilderment and awe, calling him "Master Diagnostician," "Master of Disease," or "Medically Divine." His colleagues can find Doctor Empathy exasperating, but they can see the value of his work, so they devote themselves through getting Doctor Empathy through each shift with his--and their--sanity intact.

I think this might make a pretty good dramedy. 

In Dreams, He Walks: David Lynch, 1946-2025

When you exclude family and friends from the equation, my approach to life is upheld by three great pillars: Superman's altruism, Star Trek's optimism, and David Lynch's surrealism. And as much as I adore Superman and Star Trek, it is the works of David Lynch that bring me closest to understanding--or at least appreciating--the great mysteries of existence. 

My first exposure to Lynch was The Elephant Man, followed a few years later by Blue Velvet--both incredible films that pitted cruelty against compassion, a common theme in Lynch's work. 

But it was Twin Peaks that captured me, heart and soul, way back in 1990. I saw in Dale Cooper, Deputy Andy, Deputy Hawk, and Sheriff Truman the kind of men I aspired to be. I saw in Bob my terrible weaknesses and darkest thoughts. And in the world Lynch built, one of awe and mystery, compelling and unknowable, wondrous and terrifying, I saw the landscapes of my dreams. 

Much of Lynch's work is rife with violence and misery of the harshest kind in settings that seem rational on the surface, but hide corruption and malignancy. Thankfully, the evil in his worlds is matched by figures of great kindness, integrity, and valour, and forces of light that help in the limited ways they can.  

Lynch's heroes often fail, Dale Cooper chief among them; as revealed in The Return, his saviour complex ultimately dooms him, along with poor Laura Palmer, "saving" her from her true salvation to the forces of light in Twin Peaks: Fire Walk with Me. 

Or that's one interpretation. Lynch's work is full of delicious ambiguity; it demands our full attention and cries out to be re-watched for new meaning. Despite that ambiguity, though, I believe a couple of themes shine through his body of work. 

First, David Lynch loved people and felt deeply about the cost of human suffering. Second, David found amazing beauty in the universe, even if that beauty was contrasted with terror; perhaps he felt one was necessary for the other. And third, to paraphrase Stephen King, I think David Lynch suspected there are other worlds than these. I hope he's exploring them now and creating new art. 

For these reasons and so many others, I felt a deep connection with David Lynch--though I'd never met him, and never will, except in dreams. 

Thank you, David, for the gift of your art, in all its baffling and wondrous forms. Rest in mystery. 

Percolator Fish

"Once again . . . there's a FISH . . . in the percolator!" 

<spit take>
 

The Day Green Lantern Visited Twin Peaks

"He's still alive...wrapped in plastic," Green Lantern murmured to himself. Then, addressing the victim: "Don't worry, sir; my power ring will cut you out of there in a jiffy." 

"Wait! You don't understand," cried the terrified man. "'Through dark and gloom the clingfilm creeps; a fearsome sight to see; it crackled as it ambulated; gyre, wind for me." 

"Is that a poem?" asked the stalwart but confused hero. Then all the lights overhead flickered and extinguished themselves, and the green glow of the ring hovered alone unsteadily in the black. 
 

Cooper's Tulpa

A couple of weeks ago I prompted Stable Diffusion with "FBI agent Dale Cooper faces his personal demons in the Black Lodge," and this was one of the results. While the composition isn't quite ideal, this image lines up with a key theme of Twin Peaks season three pretty nicely! 

Many Years Later...

...wait a minute, just what were those owls, anyway? 

Twin Peaks Explained?

Can Twin Peaks be explained? Do we want it to be explained? Will having things explained destroy the charm and mystery of Twin Peaks?

Will I watch this four-and-a-half-hour video to find out?

Once in a Wonderful and Strange Lifetime

Huge kudos to YouTube creator Charterstone for editing this masterful mashup of Talking Heads' "Once in a Lifetime" with scenes from the masterpiece that is season three of Twin Peaks. 

Earl in the Black Lodge

Music Made the Shows Go Round

In my estimation, anyway. 

Resting Longbowman

Here's an out-of-focus English longbowman, shoddily painted. Oof. Painting things is so hard at this small scale. Look at all those missed spots.

This miniature came with the special edition of Civilization V; it's metal, and quite hefty. 

Lodge Warrior

Season 4

Things to Look Forward to in 2018

One year ago today, I wrote about some of my hopes for 2017. To my surprise, a lot of the items on my list worked out quite nicely, including Mom and Dad's big birthdays, our tenth wedding anniversary, our trip to see the solar eclipse, G&G, voice acting lessons, seeing friends, paying down some of the mortgage, and the return of Twin Peaks and Star Trek, which both exceeded my expectations.

We didn't finish all the house projects we wanted to, and we didn't wind up doing much to celebrate Canada 150. But by and large, Sylvia and I made the most of a difficult year.

For 2018, my number one hope is a big one: health and happiness for my loved ones. And really, if that one comes true in 2018, I'll consider myself blessed beyond measure.

My second biggest hope is that I can ensure Sylvia has a great birthday celebration in October. She has a big one coming up, so we're hoping to head to New York for the occasion.

Gaming & Guinness comes in May, and that's always a blast.

More prosaically, some projects I'd like to work on:

• Get my home office in shape
• Pick up new office chairs for Sylvia and me
• Pick up some DVD storage for the theatre room
• Replace aging theatre room seats
• Start thinking about replacing the hot water tank
• Read 150 books
• Get Mom and Dad's Super 8mm home movies rescanned in HD
• Get closer to finishing the big Woods family photo scanning project

So those are my hopes for 2018, some modest, some not. We'll see what we can accomplish. 

Movies I Watched in 2017

Happy New Year!

Since 2012, I've kept track of the films I've screened each year. This year I watched more movies than ever, as my Letterboxd statistics confirm:

As you can see, I watched a little over 600 films, comprising almost 675 hours of viewing. (Many of the films I view each year are shorts, some just a few minutes in length. This screen capture also shows the 2017 films that impressed me most, though of course most of the films I watched in 2017 weren't actually released in 2017.

Here's a breakdown of how many films I watched each week, and my favourite days for viewing films (Sunday by a long shot, as it turns out).

Only about eight percent of the films I watched this year were released in 2017. I reviewed only ten of them. I knocked 32 films off my watchlist, but added over 400. And here you can also see my ratings spread; I don't give out too many 4.5 or 5 star ratings.

Here are my most-watched actors and actresses of 2017. Charlie Chaplin and Edna Purviance are right up top thanks to my attempt to see all of Chaplin's films. I'm pretty close - just one or two left on the list. Sly Stallone is up there because I marathoned all the Rambo movies. Basil Rathbone ranks high on this list because I watched all of his Sherlock Holmes movies.

And here are the directors I followed in 2017. Alice Guy is one of the early pioneers of film, though she's not well-known to the general public today.

Three people liked my Logan review! Sweet validation. The most obscure film I watched, for those wondering, was The Medical Aspects of Nuclear Radiation (Unknown, 1950).

Letterboxd doesn't keep annual statistics on the release dates of the films I've watched, so here's the breakdown:

1890s: 61

1900s: 35

1910s: 35

1920s: 22

1930s: 42

1940s: 39

1950s: 63

1960s: 39

1970s: 42

1980s: 26

1990s: 20

2000s: 50

2010s: 148

I watched 46 Best Picture nominees this year (not counting any 2017 releases that earn nominations in 2018):  

Alfie

Pygmalion

7^th Heaven

In Which We Serve

Crossfire

Hacksaw Ridge

Manchester by the Sea

Moonlight

La La Land

Lion

Fences

Hidden Figures

All That Jazz

An Unmarried Woman

Anthony Adverse

Captains Courageous

The Big House

In Old Chicago

David Copperfield

The Piano

Lady for a Day

The Informer

Libeled Lady

San Francisco

Stage Door

The Good Earth

The Life of Emile Zola

Nicholas and Alexandra

Kitty Foyle

The Descendants

Sayonara

La Grande Illusion

Wall Street

Arrowsmith

Scent of a Woman

In the Name of the Father

Fanny

Bad Girl

Here Comes the Navy

The Gay Divorcee

The House of Rothschild

Viva Villa!

Kings Row

The Best Years of Our Lives

A Tale of Two Cities

The Crowd

Finally, for those interested, here's the full list of films I watched in 2017: 

January: 42

The Unholy Three (Tod Browning, 1925)

Outside the Law (Tod Browning, 1920)

The Beast with a Million Eyes (David Kramarsky and Roger Corman, 1955)

The Eiger Sanction (Clint Eastwood, 1975)

Convoy (Sam Peckinpah, 1978)

Saskatchewan (Raoul Walsh, 1954)

The House of Fear (Roy William Neill, 1945)

The Woman in Green (Roy William Neill, 1945)

Cliffhanger (Renny Harlin, 1993)

Character Studies (Unknown, 1927)

The Goat (Buster Keaton, 1921)

Sherlock Jr. (Buster Keaton, 1924)

The Getaway (Sam Peckinpah, 1972)

Pat Garrett and Billy the Kid (Sam Peckinpah, 1973)

Olympus Has Fallen (Antoine Fuqua, 2013) 

Seven Wonders of the World (Tay Garnett, Paul Mantz, Andrew Marton, Ted Tetzlaff and Walter Thompson, 1956)

Mean Streets (Martin Scorsese, 1973)

Ghost Rider (Mark Steven Johnson, 2007)

Ghost Rider: Spirit of Vengeance (Mark Neveldine and Brian Taylor, 2012)

Ascension (Mairzee Almas, Nick Copus and Mark Lieberman, 2014)

Search for Paradise (Otto Lang, 1957)

In the Picture (Matt Strohmaier, 2012) 

Last Man on Earth (Sidney Salkow, 1964)

Dr. Cyclops (Ernest B. Schoedsack, 1940)

Tarantula (Jack Arnold, 1955)

The Mole People (Virgil W. Vogel, 1956)

The Monolith Monsters (John Sherwood, 1957)

The Incredible Shrinking Man (Jack Arnold, 1957)

Monster on the Campus (Jack Arnold, 1958)

Rod Serling: Submitted for Your Approval (Susan Lacy, 1995)

Cult of the Cobra (Francis D. Lyon, 1955)

The Land Unknown (Virgil W. Vogel, 1957)

The Deadly Mantis (Nathan H. Juran, 1957)

The Leech Woman (Edward Dein, 1960)

The Black Scorpion (Edward Ludwig, 1957)

The Unknown (Tod Browning, 1927)

Alfie (Lewis Gilbert, 1966)

The Colossus of Rhodes (Sergio Leone, 1961)

The Prodigal (Richard Thorpe, 1955)

Land of the Pharaohs (Howard Hawks, 1955)

No Blade of Grass (Cornel Wilde, 1970)

Pursuit to Algiers (Roy William Neill, 1945)

February: 99

Hot Rods to Hell (John Brahm, 1967)

Skyjacked (John Guillermin, 1972)

Zero Hour! (Hall Bartlett, 1957)

The Big Cube (Tito Davison, 1969)

Bill Burr: Walk Your Way Out (Jay Karas, 2017)

Caged (John Cromwell, 1950)

Trog (Freddie Francis, 1970)

Conquest of Space (Byron Haskin, 1955)

The Illusionist (Neil Burger, 2006)

Cleopatra Jones (Jack Starrett, 1973)

Joe’s Violin (Kahane Cooperman, 2016)

4.1 Miles (Daphne Matziaraki, 2016)

Terror by Night (Roy William Neill, 1946)

Dressed to Kill (Roy William Neill, 1946)

Nosferatu the Vampyr (Werner Herzog, 1979)

Girl Crazy (Norman Taurog, 1943)

Prairie Thunder (B. Reeves Eason, 1937)

Malcolm X (Spike Lee, 1992)

Jack Reacher: Never Go Back (Edward Zwick, 2016)

Pygmalion (Leslie Howard and Anthony Asquith, 1938)

Foxy Brown (Jack Hill, 1974)

7th Heaven (Frank Borzage, 1927)

In Which We Serve (Noel Coward and David Lean, 1942)

Team Thor: Part 2 (Taika Waititi, 2017)

Dillinger (Max Nosseck, 1945)

Born to Kill (Robert Wise, 1947)

Danse Serpentine (Louis Lumiere, 1896)

The Cabbage Fairy (Alice Guy, 1896)

A Nightmare (Georges Méliès, 1896)

The Haunted Castle (Georges Méliès, 1897)

The Merry Skeleton (Louis Lumiere, 1898)

Parade of the Award Nominees (Walt Disney, 1932)

Flora (Jan Svankmajer, 1989)

42/83 No Film (Kurt Kren, 1983)

Shot/Countershot (Peter Tscherkassky, 1987)

The Scavengers (Unknown, 1987)

Blue Peanuts (Todd Graham, 1987)

Apocalypse Pooh (Todd Graham, 1987) 

Good Grief! Cancer Boy! (Todd Graham, 1990)

Memorial Procession in English Country Town (Unknown, 1915)

No Mischief Here Can Satan Find for Idle Hands to Do (Unknown, 1917)

Mattress Man Commercial (Paul Thomas Anderson, 2003)

Tetra Vaal (Neill Blomkamp, 2004)

Greed (Roman Polanski, 2009)

Fire & Rain (James Benning, 2009)

A Gathering of Cats (Makoto Shinkai, 2007)

Fireworks (Pes, 2004)

Fresh Guacamole (Pes, 2012)

Game Over (Pes, 2006)

Western Spaghetti (Pes, 2008)

Submarine Sandwich (Pes, 2014)

The Fireplace (Pes, 2008)

Une Femme Coquette (Jean-Luc Godard, 1955)

Roof Sex (Pes, 2002) 

KaBoom! (Pes, 2004) 

The Deep (Pes, 2010)

Black Gold (Pes, 2014)

Pee-Nut (Pes, 2002)

Moth (Pes, 2004) 

My Pepper Heart (Pes, 2008)

Cake Countdown (Pes, 2008)

Dogs of War (Pes, 1998)

Marriage is For… (Pes, 2009)

Baby Nut (Pes, 2009)

Coinstar (Pes, 2009)

Drowning Nut (Pes, 2009)

Prank Call (Pes, 2008)

Human Skateboard (Pes, 2008)

Honda Paper (Pes, 2015)

Mussel Beach (Pes, 2015)

Scrabble (Pes, 2008)

Orange Telecom (Pes, 2009)

Coinstar “Book” (Pes, 2009)

Coinstar “Gift” (Pes, 2009)

Tuck Me In (Ignacio F. Rodo, 2014) 

How the Dook Stole Christmas (Jennifer Kent, 2014)

Empire (Apichatpong Weerasethakul, 2010)

One Last Dive (Jason Eisener, 2013)

Dinner (Andrew Byman, 2012)

Ars colonia (Raya Martin, 2011)

Star Wars: The New Republic Anthology (Eric Demeusy, 2015)

Crossfire (Edward Dmytryk, 1947)

The Narrow Margin (Richard Fleischer, 1952)

Clash by Night (Fritz Lang, 1952)

Hacksaw Ridge (Mel Gibson, 2016)

Manchester by the Sea (Kenneth Lonergan, 2016)

Moonlight (Barry Jenkins, 2016)

La La Land (Damien Chazelle, 2016)

Piper (Alan Barillaro, 2016)

Lion (Garth Davis, 2016)

The White Helmets (Orlando von Einsiedel, 2016)

Extremis (Dan Krauss, 2016)

Blind Vaysha (Theodore Ushev, 2016)

Fences (Denzel Washington, 2016)

Hidden Figures (Theodore Melfi, 2016)

Passengers (Morten Tyldum, 2016)

The Red Turtle (Michael Dudok de Wit, 2016)

The Champion (Charlie Chaplin, 1915)

In the Park (Charlie Chaplin, 1915)

March: 77

O.J.: Made in America (Ezra Edelman, 2016)

Gunslingers (Wallace W. Fox, 1950)

Green Room (Jeremy Saulnier, 2015)

Gods of Egypt (Alex Proyas, 2016)

Act Your Age (Unknown, 1949)

Age 13 (Arthur Swerdloff, 1955)

The Ladykillers (Joel and Ethan Coen, 2004)

The Hudsucker Proxy (Joel Coen, 1994) 

Barton Fink (Joel Coen, 1991)

Borrowed Time (Andrew Coats and Lou Hamou-Lhadj, 2016)

King of the Hill (Steven Soderbergh, 1993)

High Anxiety (Mel Brooks, 1977)

Hot Dog (Jules White and Zion Myers, 1930)

The Terrible Truth (Unknown, 1951)

Kong: Skull Island (Jordan Vogt-Roberts, 2017)

Coffy (Jack Hill, 1973) 

Cimarron (Anthony Mann, 1960)

Silent Movie (Mel Brooks, 1976)

Sicario (Denis Villeneuve, 2015)

Relentless (George Sherman, 1948)

Tacoma Narrows Bridge Collapse (Barney Elliot, 1940)

The Mermaid (Georges Méliès, 1904) 

Rescued by Rover (Lewin Fitzhamon and Cecil M. Hepworth, 1905) 

New York Subway (Bill Bitzer, 1905) 

Rescued from an Eagle’s Nest (J. Searle Dawley and Edwin S. Porter, 1908)

The Unchanging Sea (D.W. Griffith, 1910) 

Banks of the Nile (Charles Urban, 1911)

The Cameraman’s Revenge (Vladislav Starevich, 1912)

Falling Leaves (Alice Guy, 1912)

Easy Street (Charlie Chaplin, 1917)

Prisoners (Denis Villeneuve, 2013)

The Accountant (Gavin O’Connor, 2016)

Deluge (Felix E. Feist, 1933)

The Devil and Miss Jones (Sam Wood, 1941)

Canada Vignettes: The Fashion Designer (Unknown, 1977)

Fire Maidens of Outer Space (Cy Roth, 1956)

Indestructible Man (Jack Pollexfen, 1956)

The Man Who Turned to Stone (László Kardos, 1956)

Pearl (Patrick Osbourne, 2016)

Pear Cider and Cigarettes (Robert Valley, 2016)

Indice 50 (Sylvain Amblard and Alexandre Belmudes, 2016)

Once Upon a Line (Alicja Jasina, 2016)

The Head Vanishes (Franck Dion, 2016)

Happy End (Jan Saska, 2016)

Asteria (Alexandre Arpentinier, 2016)

Sing (Kristof Deak and Anna Udvardy, 2016)

Silent Nights (Aske Bang, 2016)

Timecode (Juanjo Gimenez Pena, 2016)

Enemies Within (Selim Azzazi, 2016)

La femme et le TGV (Timo von Gunten, 2016)

Legend of the Lost (Henry Hathaway, 1957)

Warning from Space (Koji Shima, 1956)

Barquero (Gordon Douglas, 1970)

X the Unknown (Leslie Norman, 1956)

U.S. Marshals (Stuart Baird, 1998)

Battleship (Peter Berg, 2012)

Why We Fight: Prelude to War (Frank Capra, 1942)

Why We Fight: The Nazis Strike (Frank Capra, 1943)

Why We Fight: Divide and Conquer (Frank Capra, 1943)

Why We Fight: The Battle of Britain (Frank Capra, 1943) 

Why We Fight: The Battle of Russia (Frank Capra, 1943)

Why We Fight: The Battle of China (Frank Capra, 1944) 

Why We Fight: War Comes to America (Frank Capra, 1945)

Meet John Doe (Frank Capra, 1941)

Independence Day: Resurgence (Roland Emmerich, 2016)

Miami Vice (Michael Mann, 2006)

WHIH Newsfront Promo – July 2, 2015 (Unknown, 2015)

A Jitney Elopement (Charlie Chaplin, 1915)

The Tramp (Charlie Chaplin, 1915)

By the Sea (Charlie Chaplin, 1915)

Work (Charlie Chaplin, 1915)

A Woman (Charlie Chaplin, 1915)

Dave Chappelle: The Age of Spin (Stan Lathan, 2017)

Shanghaied (Charlie Chaplin, 1915)

Dune (David Lynch, 1984) 

Absurda (David Lynch, 2007)

Lady Blue Shanghai (David Lynch, 2010) 

April: 102

Netflix Live (Unknown, 2017)

The Jazz Singer (Alan Crosland, 1927)

Rich and Strange (Alfred Hitchcock, 1931)

Resident Evil (Paul W.S. Anderson, 2002)

Shin Godzilla (Hideaki Anno, 2016)

All That Jazz (Bob Fosse, 1979)

An Unmarried Woman (Paul Mazursky, 1978)

Paths of Glory (Stanley Kubrick, 1957)

Kim (Victor Saville, 1950)

Beyond the Poseidon Adventure (Irwin Allen, 1979)

Bananas (Woody Allen, 1971)

Atlantis, the Lost Continent (George Pal, 1961)

Hercules, Samson and Ulysses (Pietro Francisci, 1963)

Nothing but the Night (Peter Sasdy, 1973)

The Equalizer (Antoine Fuqua, 2014)

The Man with the Iron Fists (RZA, 2012)

The Hunchback of Notre Dame (William Dieterle, 1939)

Anthony Adverse (Mervyn LeRoy, 1936)

Cavalcade (Frank Lloyd, 1933)

Captains Courageous (Victor Fleming, 1937)

The Big House (George Hill, 1930)

In Old Chicago (Henry King, 1937)

David Copperfield (George Cukor, 1935)

The Piano (Jane Campion, 1993)

Doodlebug (Christopher Nolan, 1997)

Eye Myth (Stan Brakhage, 1967)

Mickey Mouse in Vietnam (Lee Savage, 1968)

Look at Life (George Lucas, 1965)

Brain Dead (Jon Moritsugu, 1987)

Balloon Guy (Chris Wedge, 1987)

War Machine (Duvet Brothers, 1984)

Gus Visser and His Singing Duck (Theodore Case and Earl I. Sponable, 1925)

Two Pence Magic (Hans Richter, 1929)

The Secret of the Marquise (Lotte Reiniger, 1922)

Between Calais and Dover (Georges Méliès, 1897)

The Famous Box Trick (Georges Méliès, 1898)

Feeding the Doves (James H. White, 1896)

Divers at Work on the Wreck of the Maine (Georges Méliès, 1898)

La petite fille et son chat (Louis Lumiere, 1899)

The Corbett-Fitzsimmons Fight (Enoch J. Rector, 1897)

A Railway Collision (Walter R. Booth, 1900)

The Lonely Villa (D.W. Griffith, 1909)

An Exciting Pillow Fight (Robert W. Paul, 1900)

Entry of the Scots Guard Into Bloemfontein (Robert W. Paul, 1900)

Cronje’s Surrender to Lord Roberts (Robert W. Paul, 1900)

Seeing New York by Yacht (Frederick S. Armitage and A.E. Weed, 1903)

Parade of Exempt Firemen (Unknown, 1903)

Train Taking Up Mail Bag, U.S. Post Office (Unknown, 1903) 

Pilot Boats in New York Harbor (James H. White, 1899)

Statue of Liberty (James H. White, 1898)

Panorama from the Tower of the Brooklyn Bridge (Unknown, 1899)

A Perilous Proceeding (Unknown, 1901)

N.Y. Fire Department Returning (Unknown, 1903)

A Morning Alarm (James H. White, 1896)

The Burning Stable (James H. White, 1896)

Waterfall in the Catskills (Unknown, 1897)

Giant Coal Dumper (James H. White, 1897)

Overland Express Arriving at Helena, Mont. (Unknown, 1900)

Scene in Chinatown (Unknown, 1900)

A Nymph of the Waves (Unknown, 1900)

Comedy Cake Walk (Unknown, 1897)

A Ballroom Tragedy (Unknown, 1905)

Ella Lola, a la Trilby (James H. White, 1898)

Bowery Waltz (William Heise, 1897)

Cupid and Psyche (James H. White, 1897)

Lurline Baths (James H. White, 1897)

What Demoralized the Barber Shop (William Heise, 1898)

Fisherman’s Luck (William Heise, 1897)

Hotel del Monte (James H. White, 1897)

Leander Sisters (James H. White, 1897)

Down the Old Potomac (James H. White, 1917)

Tarzan’s Magic Fountain (Lee Sholem, 1949)

Logan (James Mangold, 2017)

Lady for a Day (Frank Capra, 1933)

The Informer (John Ford, 1935)

Libeled Lady (Jack Conway, 1936)

Sense8: A Christmas Special (Lana Wachowski, 2016) 

Colossus: The Forbin Project (Joseph Sargent, 1970)

San Francisco (W.S. Van Dyke, 1936)

Stage Door (Gregory LaCava, 1937)

The Good Earth (Sidney Franklin, 1937)

The Rink (Charlie Chaplin, 1916)

A Night in the Show (Charlie Chaplin, 1915)

A Burlesque on “Carmen” (Charlie Chaplin, 1915) 

Police (Charlie Chaplin, 1916)

The Floorwalker (Charlie Chaplin, 1916)

The Fireman (Charlie Chaplin, 1916)

The Vagabond (Charlie Chaplin, 1916)

One a.m. (Charlie Chaplin, 1916)

The Professor (Charlie Chaplin, 1919)

Burlesque on ‘Carmen’ (Charlie Chaplin, 1916)

Behind the Screen (Charlie Chaplin, 1916)

The Count (Charlie Chaplin, 1916)

The Pawnshop (Charlie Chaplin, 1916)

The Life of Emile Zola (William Dieterle, 1937)

Nicholas and Alexandra (Franklin J. Schaffner, 1971) 

Kitty Foyle (Sam Wood, 1940)

A Slice of Lynch: Uncut (Charles de Lauzirika, 2007) 

The Descendants (Alexander Payne, 2011)

Sayonara (Joshua Logan, 1957)

La Grande Illusion (Jean Renoir, 1937)

Broadway Bill (Frank Capra, 1934)

May: 37

Lolita (Stanley Kubrick, 1962)

Ruggles of Red Gap (Leo McCarey, 1935)

Reap the Wild Wind (Cecil B. DeMille, 1942)

The Discovery (Charlie McDowell, 2017)

Leaving Jerusalem by Railway (Alexandre Promio, 1897)

Panorama du Grand Canal vu d’un Bateau (Alexandre Promio, 1896)

New York: Broadway at Union Square (Alexandre Promio, 1896)

Lion, London Zoological Gardens (Alexandre Promio, 1896)

Chicago Police Parade (Alexandre Promio, 1897)

Children Digging for Clams (Alexandre Promio, 1896)

Colleurs d’affiches (Alexandre Promio, 1897)

The Pyramids (Overview) (Alexandre Promio, 1897)

Football (Alexandre Promio, 1897)

Whitehall Street (Alexandre Promio, 1897)

New York, descente des voyageurs du pont de Brooklyn (Alexandre Promio, 1896)

Mosquinha (Etienne-Jules Marey, 1890)

Preposterous (Florent Porta, 2016)

See You Soon (David F. Sandberg, 2014)

Raw Data (Jake Fried, 2013)

Los Gritones (Roberto Perez Toledo, 2010)

L’envol (Angelin Proljocaj, 2011)

Edgar Allan Poe (D.W. Griffith, 1909)

The Close Call (Robert Thornby, 1914)

Artoo in Love (Evan Atherton, 2015)

Creating Twin Peaks: Secrets From Another Place (Charles de Lauzirika, 2007)

Guardians of the Galaxy Vol. 2 (James Gunn, 2017) 

Underworld: Blood Wars (Anna Foerster, 2016)

Twin Peaks: Fire Walk With Me (David Lynch, 1992)

Twin Peaks: The Missing Pieces (David Lynch, 2014)

I Wanna Hold Your Hand (Robert Zemeckis, 1978)

Joe Kidd (John Sturges, 1972) 

Bandolero! (Andrew V. McLaglen, 1968)

Those Redheads from Seattle (Lewis R. Foster, 1953)

A*P*E (Paul Leder, 1976) 

Death Race 2050 (G.J. Echternkamp, 2017) 

Vixen (James Tucker and Curt Geda, 2017) 

The Lost World (Harry Hoyt, 1925)

June: 40

Wonder Woman (Patty Jenkins, 2017) 

That’s Entertainment! (Jack Haley, Jr., 1974)

Who’s Minding the Store? (Frank Tashlin, 1963)

Union Pacific (Cecil B. DeMille, 1939) 

Red River Range (George Sherman, 1938)

The Face of Fu Manchu (Don Sharp, 1965)

Billy the Kid (David Miller, 1941) 

Broken Arrow (Delmer Daves, 1950)

I Can Get it For You Wholesale (Michael Gordon, 1951)

Wall Street (Oliver Stone, 1987)

Hotel Room (David Lynch and James Signorelli, 1993) 

Camelot (Joshua Logan, 1967) 

Conan the Barbarian (John Milius, 1982) 

Rick and Morty—Alien: Covenant (Unknown, 2017) 

Highlights (Eric Cloutier, 2017) 

Entrance to the Grand Burial Chamber (Eric Cloutier, 2017) 

MailShrimp (Ed Kaye and Alex Mavor, 2017) 

KaleLimp (Ed Kaye and Alex Mavor, 2017) 

JailBlimp (Ed Kaye and Alex Mavor, 2017) 

Suez (Allan Dwan, 1938) 

Deadpool (Tim Miller, 2016) 

Get Out (Jordan Peele, 2017) 

Wall Street: Money Never Sleeps (Oliver Stone, 2010) 

A Cure for Wellness (Gore Verbinski, 2016) 

T2 Trainspotting (Danny Boyle, 2017) 

Chino (John Sturges, 1973)

Badlands (Terrence Malick, 1973) 

The Lady from Shanghai (Orson Welles, 1947) 

Another Earth (Mike Cahill, 2011) 

Suicide Squad (David Ayer, 2016) 

Bus Stop (Joshua Logan, 1956) 

End of Days (Peter Hyams, 1999)

Arrowsmith (John Ford, 1931) 

Scent of a Woman (Martin Brest, 1992) 

London Has Fallen (Baback Najafi, 2016)

The Warriors (Walter Hill, 1979)

In the Name of the Father (Jim Sheridan, 1993) 

Zelig (Woody Allen, 1983)

Broadway Danny Rose (Woody Allen, 1984) 

Screwballs (Rafal Zielinski, 1983) 

July: 37

Ride the High Country (Sam Peckinpah, 1962) 

Paint Your Wagon (Joshua Logan, 1969) 

Ensign Pulver (Joshua Logan, 1964) 

Thunder Bay (Anthony Mann, 1953) 

How to Murder Your Wife (Richard Quine, 1965) 

How to Marry a Millionaire (Jean Negulesco, 1953) 

Knock on Wood (Melvin Frank and Norman Panama, 1954) 

Wolf Hunting in Russia (Unknown, 1910) 

La Marseillaise (Georges Mendel, 1907) 

His Only Pair (Robert W. Paul, 1902) 

Electrocuting an Elephant (Thomas Edison, 1903) 

Sack Race (Louis Lumiere, 1896) 

The Race for the Sausage (Alice Guy, 1907)

Spider-Man: Homecoming (Jon Watts, 2017) 

Jurassic World (Colin Trevorrow, 2015) 

Monster Trucks (Chris Wedge, 2016) 

The Lego Batman Movie (Chris McKay, 2017) 

Dark Hoser (Unknown, 2017) 

Batman is Just not that Into You (Unknown, 2017) 

Cooking with Alfred (Unknown, 2017) 

Movie Sound Effects: How Do They Do That? (Unknown, 2017) 

The Master: A Lego Ninjago Short (Jon Saunders, 2016)

Outland (Peter Hyams, 1981) 

The Lost Skeleton Returns Again (Larry Blamire, 2010) 

Dunkirk (Christopher Nolan, 2017) 

Sunset in the West (William Witney, 1950) 

Fanny (Joshua Logan, 1961) 

The Sea Shall Not Have Them (Lewis Gilbert, 1954) 

Out of the Past (Jacques Tourneur, 1947)  

Escape from Tomorrow (Randy Moore, 2013) 

The Raid 2 (Gareth Evans, 2014) 

The Lovely Bones (Peter Jackson, 2009) 

Prometheus (Ridley Scott, 2012) 

Meet Walter (Luke Scott, 2017) 

Batman: Return of the Caped Crusader (Rick Morales, 2016) 

The Peter Weyland Files (Luke Scott, 2012) 

Gold (Karl Hartl, 1934) 

August: 47

The Fate of the Furious (F. Gary Gray, 2017) 

The Pleasure Garden (Alfred Hitchcock, 1925) 

The Nebraskan (Fred F. Sears, 1953) 

Days of Heaven (Terrence Malick, 1978) 

Red Nightmare (George Waggner, 1962) 

The Rookie (Clint Eastwood, 1990) 

War for the Planet of the Apes (Matt Reeves, 2017) 

Man with a Movie Camera (Dziga Vertov, 1929) 

The Andersonville Trial (George C. Scott, 1970) 

Duck and Cover (Anthony Rizzo, 1952) 

Operation Doorstep (Unknown, 1953) 

Target You (Unknown, 1953)

The Medical Aspects of Nuclear Radiation (Unknown, 1950) 

Black Narcissus (Michael Powell and Emeric Pressburger, 1947) 

Dazed and Confused (Richard Linklater, 1993) 

Dracula Untold (Gary Shore, 2015) 

Summer with Monika (Ingmar Bergman, 1953) 

High and Low (Akira Kurosawa, 1963) 

Ikuru (Akira Kurosawa, 1952) 

La Cage aux Folles (Edouard Molinaro, 1978) 

Something Wild (Jonathan Demme, 1986) 

Super Size Me (Morgan Spurlock, 2004) 

Desk Set (Walter Lang, 1957)

Bedazzled (Stanley Donen, 1967)

Compulsion (Richard Fleischer, 1959)

I Never Forget a Face (Unknown, 1956) 

C’est l’aviron (Norman McLaren, 1944) 

A Phantasy (Norman McLaren, 1952) 

The Sword of Doom (Kihachi Okamoto, 1966) 

Salò, or the 120 Days of Sodom (Pier Paolo Pasolini, 1975) 

Beauty and the Beast (Bill Condon, 2017) 

First Blood (Ted Kotcheff, 1982) 

Rambo: First Blood Part II (George P. Cosmatos, 1985) 

Rambo III (Peter MacDonald, 1988) 

Rambo (Sylvester Stallone, 2008) 

Microworld (Paul Cohen, 1976) 

Ballet Adagio (Norman McClaren, 1972) 

Back to God’s Country (David Hartford, 1919) 

The Long Kiss Goodnight (Renny Harlin, 1996) 

Bad Girl (Frank Borzage, 1931) 

Here Comes the Navy (Lloyd Bacon, 1934) 

The Gay Divorcee (Mark Sandrich, 1934)

The House of Rothschild (Alfred Werker, 1934)

Viva Villa! (Jack Conway, 1934) 

2036: Nexus Dawn (Luke Scott, 2017) 

Last Supper (Luke Scott, 2017) 

Loom (Luke Scott, 2012) 

September: 43

The Brides of Fu Manchu (Don Sharp, 1966) 

The Vengeange of Fu Manchu (Jeremy Summers, 1967) 

The Mummy (Alex Kurtzman, 2017) 

Scream and Scream Again (Gordon Hessler, 1970) 

Twin Peaks: The Return (David Lynch, 2017) 

The Cat and the Canary (Elliot Nugent, 1939) 

Hillbillys in a Haunted House (Jean Yarbrough, 1967) 

The Golem: How He Came into the World (Paul Webener and Carl Boese, 1920) 

Just Imagine (David Butler, 1930) 

Calamity Jane (David Butler, 1953) 

Cabin in the Sky (Vincente Minnelli and Busby Berkeley, 1943) 

The Innocents (Jack Clayton, 1961) 

The Twentieth Century Tramp; or, Happy Hooligan and his Airship (Edwin S. Porter, 1902) 

Ripples (Jim Henson, 1967) 

The Paperwork Explosion (Jim Henson, 1967) 

Pierre and Sonny Jim (David Lynch, 2001) 

Dream #7 (David Lynch, 2010) 

Room to Dream: David Lynch and the Independent Filmmaker (David Lynch, 2005) 

Out Yonder (David Lynch, 2007) 

Ballerina (David Lynch, 2007) 

Sailing with Bushnell Keeler (David Lynch, 1967) 

Idem Paris (David Lynch, 2013) 

Bug Crawls (David Lynch, 2007) 

Blue Green (David Lynch, 2007) 

Boat (David Lynch, 2007) 

Darkened Room (David Lynch, 2002) 

Absurd Encounter with Fear (David Lynch, 1967) 

Tango Tangles (Mack Sennett and Charlie Chaplin, 1914) 

Kings Row (Sam Wood, 1942)

The Best Years of Our Lives (William Wyler, 1946) 

Pirates of the Caribbean: Dead Men Tell No Tales (Joachim Rønning and Espen Sandberg, 2017)

if… (Lindsay Anderson, 1968) 

Robetta and Doretto, No. 1 (William K.L. Dickson, 1895)

New Blacksmith Shop (William K.L. Dickson, 1895) 

De boulevard van Scheveningen (William K.L. Dickson, 1898)

Bath Scene (William K.L. Dickson, 1897)

Panoramic View of Conway on the L. & N.W. Railway (William K.L. Dickson, 1898) 

2048: Nowhere to Run (Luke Scott, 2017) 

Wonder Woman: A Subversive Dream (Unknown, 2009) 

Cosmic Voyage (Bayley Silleck, 1996) 

The Black Cat (Edgar G. Ulmer, 1934) 

Firecreek (Vincent McEveety, 1968) 

Blade Runner: Black Out 2022 (Shinichiro Watanabe, 2017) 

The Crossing (Ridley Scott, 2017) 

October: 55

Kwaidan (Masaki Kobayashi, 1964) 

Through a Glass Darkly (Ingmar Bergman, 1961) 

Winchester ’73 (Anthony Mann, 1950) 

The Big Sick (Michael Showalter, 2017) 

The Man in the Gray Flannel Suit (Nunnally Johnson, 1956)

A Terrible Night (Georges Méliès, 1896) 

Bataille de boules de neige (Louis Lumiere, 1897) 

Playing Cards (Georges Méliès, 1896) 

Seminary Girls (James H. White, 1897) 

The Pillar of Fire (George Méliès, 1899) 

An Up-to-Date Conjurer (George Méliès, 1899) 

Serpentine Dance by Mme. Bob Walter (Alice Guy, 1899) 

Rough Sea at Dover (Birt Acres, 1896) 

The Temptation of St. Anthony (George Méliès, 1898) 

A Sticky Woman (Alice Guy, 1906) 

Madam’s Fancies (Alice Guy, 1907) 

Faust and Mephistopheles (Alice Guy, 1903) 

Pierrette’s Escapades (Alice Guy, 1900) 

At the Hypnotist’s (Alice Guy, 1898) 

Bathing in a Stream (Alice Guy, 1897) 

The Burglars (Alice Guy, 1897) 

The Glue (Alice Guy, 1907) 

Matrimony’s Speed Limit (Alice Guy, 1913) 

Serpentine Dance by Lina Esbard (Alice Guy, 1902) 

Wonderful Absinthe (Alice Guy, 1899) 

The Fisherman at the Stream (Alice Guy, 1897) 

At the Bal de Flore (Alice Guy, 1900) 

Little Tich and his Funny Feet (Alice Guy, 1901) 

Turn of the Century Surgery (Alice Guy, 1900) 

On the Barricade (Alice Guy, 1907)

The Turn of the Century Blind Man (Alice Guy, 1898)

Surprise Attack on a House at Daybreak (Alice Guy, 1898) 

Midwife to the Upper Classes (Alice Guy, 1902) 

A House Divided (Alice Guy, 1913) 

Black Widow (Nunnaly Johnson, 1954) 

Vivre sa vie (Jean-Luc Godard, 1962) 

The Three Faces of Eve (Nunnaly Johnson, 1957) 

The Zodiac Killer (Tom Hanson, 1971) 

Blade Runner 2049 (Denis Villeneuve, 2017) 

The Act of Seeing with One’s Own Eyes (Stan Brakhage, 1971) 

The Secret Garden (Fred M. Wilcox, 1949) 

The Best Man (Franklin J. Schaffner, 1964) 

The Three Musketeers (Richard Lester, 1973) 

Wedlock House: An Intercourse (Stan Brakhage, 1959) 

Tales of Manhattan (Julien Duvivier, 1942) 

The Iron Mistress (Gordon Douglas, 1952) 

OSS 117 Is Not Dead (Jean Sacha, 1957) 

The Golden Arrow (Antonia Margheriti, 1962) 

Citizenfour (Laura Poitras, 2014) 

Dune (David Lynch, 1984) 

Samson and Delilah (Cecil B. DeMille, 1949) 

Beach Party (William Asher, 1963) 

Annie Get Your Gun (George Sidney, 1950) 

Five Weeks in a Balloon (Irwin Allen, 1962) 

A Tale of Two Cities (Jack Conway, 1935)

November: 16

Show Boat (George Sidney, 1951) 

The Dark Tower (Nikolaj Arcel, 2017) 

Corvette Summer (Matthew Robbins, 1978) 

Fast Times at Ridgemont High (Amy Heckerling, 1982) 

Thor: Ragnarok (Taika Waititi, 2017) 

Atomic Blonde (David Leitch, 2017) 

Inhumans: The First Chapter (Roel Reine, 2017) 

John Wick (Chad Stahlelski, 2014) 

John Wick Chapter 2 (Chad Stahlelski, 2017) 

Dragonslayer (Matthew Robbins, 1981) 

Risky Business (Paul Brickman, 1983) 

The Crowd (King Vidor, 1928) 

Big Hero 6 (Don Hall and Chris Williams, 2014) 

Spirited Away (Hayao Miyazaki, 2001) 

Baby Driver (Edgar Wright, 2017) 

The Hitman’s Bodyguard (Patrick Hughes, 2017) 

December: 33

Taken (Pierre Morel, 2008) 

Taken 2 (Oliver Megaton, 2012)

My Neighbor Totoro (Hayao Miyazaki, 1988)

Taken 3 (Oliver Megaton, 2014)  

The Belko Experiment (Greg McLean, 2016) 

Justice League (Zack Snyder, 2017) 

The Circle (James Ponsoldt, 2017) 

Ghost in the Shell (Rupert Sanders, 2017) 

Valerian and the City of A Thousand Planets (Luc Besson, 2017) 

The Fury (Brian De Palma, 1978) 

The Games of the V Olympiad Stockholm, 1912 (Adrian Wood, 2017) 

The Olympic Games as They Were Practiced in Ancient Greece (Jean de Rovera, 1924) 

The Olympic Games Held at Chamonix in 1924 (Jean de Rovera, 1924) 

The Olympic Games in Paris 1924 (Jean de Rovera, 1924) 

The White Stadium (Arnold Fanck and Othmar Gurtner, 1928) 

The IX Olympiad in Amsterdam (Unknown, 1928) 

The Olympic Games, Amsterdam 1928 (Wilhelm Prager, 1928) 

Youth of the World (Carl Junghans, 1936)

The Beast of Hollow Mountain (Edward Nassour and Ismael Rodriguez, 1956) 

Olympia Part One: Festival of the Nations (Leni Riefenstahl, 1938) 

Olympia Part Two: Festival of Beauty (Leni Riefenstahl, 1938)

XIVth Olympiad: The Glory of Sport (Castleton Knight, 1948) 

Fight Without Hate (Andre Michel, 1948) 

Vampyr (Carl Theodor Dreyer, 1932) 

Rose Marie (Mervyn LeRoy, 1954) 

Magnificent Obsession (Douglas Sirk, 1954) 

Mother! Darren Aronofsky, 2017) 

Intervalometer Experiment (David Lynch, 2004) 

Industrial Soundscape (David Lynch, 2008) 

Moby: Shot in the Back of the Head (David Lynch, 2009) 

The VI Olympic Winter Games, Oslo 1952 (Tancred Ibsen, 1952) 

Logan Lucky (Steven Soderbergh, 2017) 

Three Billboards Outside Ebbing, Missouri (Martin McDonagh, 2017)